Comment – Page 186
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CommentEyeing indie opportunities in the US
Argonon boss James Burstall travels from Santa Monica to the Canadian Rockies in search of deals.
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CommentYouTube tackles subscriptions
Adam Nightingale on the impact of YouTube’s move into the premium content market on pay TV operators.
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CommentThe golden rules of pitching
Karl Woolley shares his top ten tips for pitching to broadcasters.
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CommentPussy Riot opens Doc Fest
Broadcast’s Peter White on the opening night of the Sheffield festival’s 20th anniversary.
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CommentJust stick to the day job, will you?
Commissioners: stop dreaming of an indie career and read my pitch, says Steven D Wright
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CommentConfessions of an Alien Abductee
Producer Jayne Edwards talks about avoiding cliches and letting ordinary folk tell extraordinary stories
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CommentDigital's finest converge at Internet Week
Disruption and revolution were trending at Internet Week, says Jacqui Moore
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CommentHorsing around on social media
Social media played a key role in building Horse & Country TV’s niche audience, says Richard Burdett
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CommentYou the Jury: Jo Brand’s Great Wall of Comedy
Broadcast’s industry review section You the Jury takes a look at Gold’s new comedy panel show Jo Brand’s Great Wall of Comedy.
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CommentTV Critics: David Walliams: Snapshot in Time; The Most Dangerous Man in Tudor England
“I would strongly suggest that you only watch this if you happen to be David Walliams.” Read on for the verdict on last night’s TV.
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CommentTV Critics: Love and Marriage; The Apprentice; D-Day
“The jokes will hopefully improve. In the meantime, the drama should keep people tuning in.” Read on for the verdict on last night’s TV.
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CommentTV Critics: The Call Centre; Mad Dogs; What Do Artists Do All Day?
“Rarely for such documentaries these days, The Call Centre didn’t look down on anyone.” Read on for the verdict on last night’s TV.
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CommentTV Critics: The People's Coronation; The Fall; Food Unwrapped; Simon Hopkinson Cooks; Mechanical Marvels
“Some might feel that the Beeb has been taken over by a bunch of lefties, but it’s during programmes like this that its establishment credentials come to the fore.” Read on for the verdict on last night’s TV.
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CommentTV Critics: The Americans; Spying on Hitler’s Army; Les Dawson
“The Americans was pacy and smart, with enough sex and action to attract casual viewers.” Read on for the verdict on last night’s TV.
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CommentTV Critics: The Iraq War; Confessions of a Male Stripper; Mothers, Murders and Mistresses
“The programme-makers showed that you can make 60 minutes of gripping TV about a subject that is exceptionally well known.” Read on for the verdict on last night’s TV.
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CommentHave faith in religious content
The big questions will always attract an audience, says Roger Bolton
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CommentAnd Finally: Jenni Falconer, Heart FM
Heart FM breakfast show presenter Jenni Falconer on Bradley Cooper and her TV-watching dog.
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CommentDoor is open for UK indies to make a splash Stateside
UK factual indies have an inroad into US via Realscreen West, says Leila Monks
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CommentTV Critics: Shameless; The Apprentice; Words of Everest
“The script still crackled with the sort of literate, intelligent humour that once set Shameless apart.” Read on for the verdict on last night’s TV.
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CommentDEBATE: Should radicals be banned from TV?
Do you agree with Theresa May’s proposals to beef up Ofcom’s powers?