Factual Comment – Page 3
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CommentDon’t forget TV’s LGBTQ community
Broadcaster diversity pushes are great, but they are missing us out, says Greg Sanderson
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CommentThe stakes have never been higher for factual
The lack of specific Covid-related advice for unscripted directors led us to develop a new resource for all, says Nick Guttridge of Directors UK
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CommentDiversity schemes are great – but they need to go further
A scheme launched my career and innovative new initiatives can do the same for the diverse voices we need in this industry, says Nacressa Swan
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Comment‘Korea can become a co-pro Mecca’
The nation has steered clear of a full lockdown and is open for business, says Korea’s self-proclaimed pioneer of international co-productions
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CommentObituary: Aidan Laverty
Jonathan Renouf remembers a producer who took James May to the edge of space
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CommentThe co-production survival guide
Working with production partners isn’t perfect but it’s more necessary than ever, says Stuart Carter
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CommentMy Mentor: Greg Sanderson on Nick Fraser
The former BBC Storyville supremo taught me the true art of keeping filmmaking simple, says Greg Sanderson
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CommentDavid Cornwall on ‘serendipitous’ Diana doc
Navigating secretive contributors, demanding commissioners and NDAs were all worth it for the Scorpion TV founder
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CommentDon’t let Covid-19 derail nations and regions progress
Industry must not retreat to London post-pandemic, says Graham Sherrington
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CommentTV will survive if we work together
Lockdown has been hard but starting up again is an even bigger challenge, says Craig Hunter
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CommentHitting a century: the benefits of a high volume returner
Inside the Ambulance has transformed Brown Bob and given us confidence to spread our wings, says Jacqueline Hewer
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CommentKeeping Ireland’s Crimecall rolling on lockdown
A tenth of the entire population tuned into our live crime-fighting show but production required buy-in from many parties, says Stephen Stewart
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CommentVE Day in Lockdown: we borrowed our neighbours wifi
With our presenter on lockdown and the edit moved to the shed, our Discovery doc became a domestic affair, says Kate Beal
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CommentHardy young producers deserve praise
The future careers of ITN producers are being forged in the white heat of the coronavirus crisis, says David Stanley
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CommentHow Red Sky scored commissions during lockdown
The current climate forced us to essentially rip our indie up and start again, but new business shows we made the right choice, says Jane Rogerson
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CommentQuibi bids to overcome mobile SVoD curse
Loud and vivid but lacking depth is Broadcast insights editor Jesse Whittock’s first impression of fledgling service
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CommentColourisation brings history to life
Demand from buyers has surged as technique helps reach new audiences, says Lilla Hurst
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CommentLack of nuance is killing debate
The adversarial nature of much discussion on TV today is poisoning us, says Amna Saleem
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CommentThe heat’s on in Miami
Natpe proved its credentials as a proper sales market and avenue for an insight into the Americas, says Ben Barrett