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The past’s comic potential remains undimmed - it just needed a new twist, as Paul Whitelaw discovers
From landscape to wildlife, shooting exteriors for Jimmy McGovern’s period piece in Australia gave it a hard-to-replicate authenticity.
It took two years to gain the trust of the leopards we were filming. It was worth it, says Brad Bestelink
Boundless’ small production team had to work as hard as our subjects in our global adventure
We used a mix of animation and live-action to teach kids about the world around them, says Chris Wood
Anthony Geffen reveals how winning trust was key to capturing parliament as it’s never been seen before
The trial of the Nazi war criminal was also the birth of mass media, discovered producer Laurence Bowen
The team behind BBC3’s new sitcom set in a young offenders institution talk to Paul Whitelaw about spotting fresh talent and creating comedy gold
Controller Kim Shillinglaw inherited a channel in rude health, but she is looking for revealing new filming techniques and shows that are young at heart
Six years on from our original idea, the timing is finally right for our kids’ robot drama, says Jez Swimer
With stunts involving helicopters and a moving train, the first series of the The Wrong Mans was hard to top, says Jim Field Smith.
When the complex weather phenomena we wanted to study couldn’t be found, we had to make our own, says Graham Booth
A supernatural meditation on ageing and a return to his Yorkshire roots lures Michael Palin back to TV drama
The creators and stars of BBC1’s new thriller speak to Olly Grant about keeping on top of its time-shifting plot
Ahead of the festival, two leading natural history producers discuss their latest work
BBC Academy college of technology’s Andy Wilson outlines how producers can comply with AS-11
The veteran journalist talks about returning to Northern Ireland and the future of current affairs programming
A show with a cast of 170 puppets and a giant set that completely filled the studio was a huge logistical challenge
Have the traditional features that lured viewers in their millions had their day?
With months spent hanging around mortuaries this was not a job for the squeamish
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