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When the Nazis won the war
The presenter agreed to our doc on one condition: he wouldn’t cry for the camera
The team reflect on its inauspicious start and the reasons for its longevity
Sleight of hand in the edit helped illustrate this extraordinary story
Weeks to examine the challenges facing our hospitals.
More than 30 ultra-realistic ‘spy creatures’ took viewers into the animals’ world
Inside No. 9 producer Adam Tandy talks to George Bevir about creating a working 1970s drama set with period cameras and lighting for the return of the darkly comic anthology series
Rebooting the format a decade on allowed the use of much more powerful software
By rejecting the use of mini cams, gimbals and drones, we strove for visual honesty of life in the pits, says Wesley Pollitt
Stacey Dooley has revealed her reasons for venturing into a war zone for the first time following the launch of her Isis-themed BBC3 documentary.
A decade after its groundbreaking series, BBC Studios’ NHU is again using cutting-edge techniques and technology to take the viewer right into the world of animals.
Deep-sea filming is one of the toughest challenges in natural history. George Bevir hears how some of the genre’s leading producers have charted this hidden world
First we had to set some ground rules to ensure we got the kind of cinematic, high-stakes documentary we wanted. Then we had to find the right case, says Richard Bond
Filming a post-mortem for BBC3 took us on a long and emotional journey, but the result is an eye-opening documentary, says Melanie Archer
The opportunity to make a series about a major British institution doesn’t usually just fall into your lap, says Katie Buchanan
As Sir Killalot, Matilda and the rest of the Robot Wars gang prepare for their TV comeback, Olly Grant visits the giant set where the souped-up veterans will take on the next generation
Russell Levin highlights the challenges of trying to film 300 tonne aircraft taking off from the coldest city on earth.
What started as a personal story for executive producer Liz McLeod became a technical jigsaw puzzle for director Alicia Aarce
We warmed up many of our contributors over a pint - but we had to out ourselves as lightweights, says Kelly Close
Our fictionalised take on Nina Stibbe’s book tries to shine a light on the every day with wit, heart and visual flourish, says Jamie Laurenson
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