Features – Page 64
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FeaturesBroadcast Indie Summit: Indies raise concerns over mid-market squeeze
Fears over dwindling appetite for mid-priced shows as broadcasters focus more on cut-through or low-price content
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FeaturesBroadcast Indie Summit: Amazon reveals all
The SVoD giant’s full UK team offer insight into its commissioning strategy
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The Broadcast InterviewCatherine Reitman: Workin’ hard
As Workin’ Moms kicks off its final series, its creator reflects on how a primarily female team helped capture motherhood in all its messy details
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FeaturesFirst look: The Gallows Pole, BBC2
Shane Meadows’ series, produced by Element in association with Big Arty, is based on Benjamin Myers’ book
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Behind The ScenesThe Mysterious Mr Lagerfeld, BBC2
Director Michael Waldman on the quirks of capturing the lavish life of one of fashion’s most eccentric stars
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FeaturesThe US writers’ strike: What will it mean for the UK industry?
British peers show solidarity with fight for fair pay
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FeaturesHow an ageing professor inspired James Reed’s latest Netflix epic
Oscar winner embraced the drama of handheld cameras to keep up with battling chimps
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Behind The ScenesDr Xand’s Con Or Cure, BBC1
Executive producer Brendan Hughes explains the challenge of shooting 10 shows in four days
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Behind The ScenesScared of the Dark: shining a light on the social experiment
Creators of Channel 4 series on creating a reality show in total darkness
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FeaturesThe Missing Heiress: Betrayals In The Riviera
‘The originality of the series is the Shakespearian element of betrayal and tragedy’
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FeaturesStaying on top in distribution
Five European distributors explain how they’re adapting their business models to remain competitive in a challenging market
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FeaturesThe Man Who Played With Fire
‘It’s visually impressive, narratively captivating and will have viewers hooked’
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FeaturesThe Last Secrets Of Humankind
‘It’s a high-quality production where you can see the budget on screen’
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FeaturesOld Enough
‘It is fascinating to see how children are capable of thinking and acting on their own’
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FeaturesThe Chameleon: The Killing Of Ronald Platt
‘Stranger than fiction is more than just true crime and this film embodies that’
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FeaturesHot Wheels: Ultimate Challenge
‘This is a shiny floor general entertainment show that is universally relatable’
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FeaturesThe Real Fatal Attraction
‘It is counterintuitive of the genre because true-crime victims are usually female’