The Witness: How Blackhill protected Netflix drama’s child protagonist
Creative director and exec producer Sarah Brown on creating a safe, nurturing environment for the five-year-old actor playing ‘young Alex’
Studio Lambert: what other indies want to know about the format powerhouse
What do companies that voted for The Traitors producers as most admired indie for the third year running want to ask about how it operates?
‘I had to get on to the next project straight away’ - Richard Gadd on making Half Man
The Baby Reindeer creator on the pressure of following his Emmy-winning Netflix phenomenon
Not fit for purpose: UK commissioning process under fire
Production sector leaders are demanding radical changes to a system they describe as ‘medieval’
