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Broadcast Magazine
Reece Shearsmith and Steve Pemberton: Closing the door on No. 9
Creators and stars of the black comedy anthology series on pulling down the shutters after nine series and wrestling with the best kind of send-off
Humble winners are a cause for optimism in tough times
The 1% Club and Baby Reindeer couldn’t be more different – but these relatively modest British shows are both smashing it
Indie Summit 2024: Charlotte Moore on getting the BBC fit for the future
Content chief reveals why she is laser focused on iPlayer, explains the need to make cuts and promises to do more to support struggling indies
Indie Summit 2024: Harnessing the power of AI
Panel of experts discuss the latest innovations in the technology, and whether they pose a threat or an opportunity for the industry
Neurodiversity: breaking down the barriers to inclusion
Industry figures discuss the challenges faced by neurodivergent people in the sector – and what can be done to help them succeed
Crime meets horror in Alibi’s The Red King
Director & exec producer of the Quay Street’s six-parter on embracing the constraints of a small budget and creating their own religious cult
End Credits: Sam Beddoe
The It’s All Made Up Productions co-founder on Nashville, balloon arches and Ryan Reynolds
Broadcast Intelligence: UKTV looks to evolve with call for ‘exciting, original’ shows
Helen Perry, Mark Iddon and Emile Nawagamuwa reveal plans to freshen up content offering on Dave, Alibi and W
Neil Thompson: GMB’s commitment to live TV is key to success
A decade of being topical and ‘in the moment’ has transformed our breakfast news bulletin into a global brand, says the Good Morning Britain editor
