Indies Comment
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CommentLet’s be honest about illness
A cancer diagnosis left Julie Heathcote acutely aware of how tough the TV industry can be
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Bucking the consolidation trend
Indie employees taking ownership can improve culture and productivity, says Rhodri Evans
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Indies remain the lifeblood of TV
Despite intense competition, the industry has much to celebrate
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How to survive as an indie
Running your own firm is like a rollercoaster – only more terrifying, says Steven D Wright
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Banijay finally gets its target
Mega-producer will have epic scale but must focus on creativity
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Listen to the experts in sound
Think you already know what great audio content can do for TV? Wrong, says Tim Hammond
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Linear TV is still the best bet for UK production companies
Rise of the SVoDs doesn’t necessarily equate to more orders for indies, says Danny Fenton
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Where are all the female crew?
We need to create a more flexible environment where woman can thrive, says Colleen Flynn
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Edinburgh is no laughing matter
Putting on a festival session was much more stressful than I expected, says Steven D Wright
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Duty of care needs expert input
Using registered psychologists is key to protecting contributors’ wellbeing, says Tanya Byron
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Investment is the way to grow
An injection of cash can help you take your business to the next level, says Arrow’s Tom Brisley
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Young editors need more support
This key role needs to be seen as a positive and creative career choice, says Andrew Sheldon
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Nations and regions indies have bigger stories to tell
N R commissioning is improving at last - but beware unconscious bias, says Claire Mundell
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Brilliant contributors are online waiting to be found
We assembled the perfect cast for our show by scouring the internet, says Elspeth O’Hare
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Midlands needs a shot in the arm
A guaranteed 100 commissioned hours a year would transform the region, says Will Hanrahan
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Sharing the spoils of success
A new EU directive will benefit those who contribute to an unexpected hit, says Clare Zucker
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How to be pitch perfect in Cannes
Landing a commission is never easy – but it’s easy to put off potential buyers, says Craig Colby
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French indies are at a crossroads
Legislation revamp must allow producers to retain programme rights, says Samuel Kissous
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Indie sector is buoyant but brutal
Broadcast survey reveals fresh opportunities and fierce competition
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Why I would still work with Liam Neeson
Showing compassion is key to building future for TV, film and society, argues Josh Wilson
