Unpacking the fast-shifting world of creators
Cowshed Collective’s chief exec George Cowin on how to adapt to a creator-led reality
Adolescence is a shot in the arm for UK drama, not its death knell
The global appetite for British stories is vast, and can be captured by all parts of the industry
Chris Curtis: Netflix’s mainstream ambition should reassure its UK rivals
The end of peak spending and broad appeal of UK content should generate renewed optimism
Switching The Witcher: the monster show returns
On the set of Netflix’s fantasy epic, execs open up about replacing stars, creating visceral worlds and why battles are like ballroom dancing
