All Post-Production Uncovered articles – Page 5
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NewsPost-production uncovered: Company 3 on Our House (ITV)
Post house oversaw delivery of the conform, grade and finish for four-part series
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NewsPost-production uncovered: Twickenham Film Studios on Top Gun: Maverick (feature)
Final sound mix for Paramount Pictures’ blockbuster was completed during the pandemic
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NewsPost-production uncovered: Vine FX on The Lazarus Project
Vine FX delivered 890 VFX shots for eight-part series
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NewsPost-production uncovered: Company 3 on Peaky Blinders (BBC)
Company 3 handled colour for the final season of the iconic show
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NewsPost-production uncovered: One Of Us on Fantastic Beasts 3 (feature)
Team of around 60 artists created 124 VFX shots for The Secrets Of Dumbledore
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NewsPost-production uncovered: All the Old Knives (Prime Video)
A Virtual production set was the backdrop for a dinner scene with the afternoon sun gradually setting in the sky
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NewsPost-production uncovered: BlueBolt on The Northman (feature)
VFX house delivered 279 out of a total of 388 VFX shots in the Robert Eggers film
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NewsPost-production uncovered: ITV Content Services on Janet Jackson. (Sky)
ITV Content Services handled restoration work for the four-part documentary on Janet Jackson’s life
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NewsPost-production uncovered: Evolutions on First Dates (E4)
The post house implemented what it describes as a fresh workflow to enable the remote collaborative editing and finishing of the series
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NewsPost-production uncovered: One Of Us on Bridgerton (Netflix)
One Of Us provided 250 VFX shots for show’s second series
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NewsPost-production uncovered: Union on Operation Mincemeat (feature)
Union was sole VFX vendor for the WW2 feature film
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NewsPost-production uncovered: One Of Us on Munich - The Edge Of War (Netflix)
One Of Us delivered 215 VFX shots for the Robert Harris thriller
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NewsPost-production uncovered: Cinelab and Goldcrest on The Witcher (Netflix)
Cinelab provided dailies lab services and workflow supervision and Goldcrest handled picture post
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NewsPost-production uncovered: Goodbye Kansas on Alex Rider (IMDb TV)
The VFX house supplied 215 shots and 12 assets for the second series
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NewsPost-production uncovered: Realtime on A Discovery Of Witches (Sky)
Realtime provided around 80 VFX shots for the third series of the show
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NewsPost-production uncovered: One Of Us on The Matrix Resurrections (feature)
One Of Us created over 200 VFX shots for the film
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NewsPost-production uncovered: Goodbye Kansas on The 355 (feature)
It delivered over 400 VFX shots for the film
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NewsPost-production uncovered: Suite on Toast Of Tinseltown (BBC1)
Objective Fiction produced the show in association with US indie studio Wiip
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NewsPost-production uncovered: DNEG on Ghostbusters: Afterlife (feature)
Lead vendor DNEG delivered over 800 VFX shots over 24 sequences
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NewsPost-production uncovered: Halo Post on Welcome To Earth With Will Smith (National Geographic)
Halo provided full picture and sound post-production services for the series, produced by Nutopia