Provide full VFX and the title sequence for the four-part series
Client World Productions
Brief Provide full VFX and the title sequence for the four-part series.
How It Was Done A particular challenge was to find a visual language to convey the increasingly blurred reality and memory of Peter Mullan’s characters.
Using Maya, After Effects, Flare and Flame, Gary Brown and his team built a 3D model of the Brighton beachfront, giving them maximum control over the critical gunshot moments at the start and end of the series.
Watch it Monday to Thursday, 9pm, Channel 4