Features
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FeaturesKeeping it real: the key to celebrity docs
Producers reveal the challenges of immersing yourself in your subject’s life, and the importance of authenticity, timing and flexibility
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Behind The ScenesHagai Levi: Unpacking Etty’s global relevance
Creator on bringing his 10-year passion project about the work of WWII diarist Etty Hillesum to the screen in a post-7 October world
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FeaturesFirst look: The Scarecrows’ Wedding, BBC1
Magic Light Pictures’ forthcoming Christmas animated adventure is the story of two scarecrows preparing for their big day
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FeaturesMatch My Ex
‘By giving people’s exes power over their future love lives, we break through to raw emotions’
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FeaturesCrime Night
‘It channels the fascination with true crime into a witty, fast-paced package that is easily adaptable’
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FeaturesEscape From Chernobyl: 48 Hours That Changed The World
‘The 48-hour timeline helps capture the reality of what people were going through in a real-time way’
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FeaturesOperation Dark Phone
‘The plot is straight out of a premium drama and will cut through a very crowded market’
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FeaturesRed River Gold
‘It’s a historical story but there’s mystery in it, and we know audiences are keen for that’
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FeaturesBlind Sherlock
‘Having a blind lead was exactly the creative twist we were looking for in a cop show’
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FeaturesSmall Prophets
‘Buyers and viewers who enjoyed Detectorists will inevitably like this show’
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FeaturesThe Walsh Sisters
‘The Walsh Sisters deals with topics people understand and have a connection with’
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FeaturesLord Of The Flies
‘This reworking of a famous book is something a lot of people are going to be talking about’
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FeaturesBBC Studios comes roaring back as growth returns
Majority of respondents report a rise in turnover, with BBCS topping the table
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FeaturesAdapting to a changing landscape
Distributors predict further consolidation, exploring opportunities in Lat Am and Asia, and betting on YouTube and AI to deliver fresh revenue streams
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FeaturesContent pipeline slowdown takes a toll
Respondents on getting creative with deficit financing and co-production to ensure the shows they need make it over the line and onto their slates