Entertainment Comment
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CommentGameshows are backbone of TV
International popularity makes genre perfect for platforms’ global expansion, says James Fox
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We need to bring back the fun
Shows like The Masked Singer deliver much-needed joy in serious times, says Steven D Wright
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There’s no fast track to success
We need to nurture both talent and ideas to create true breakout hits, says Stephen Stewart
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Keep the entertainment coming
Genre has real momentum and a few risks can push it to next level
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TV brings comfort amid chaos
Return of big entertainment shows provide respite from Brexit crisis
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Don’t dismiss the feel-good factor
Entertainment shows are a key weapon in broadcasters’ ratings armoury, says Neale Simpson
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John de Mol: fear is undermining hunt for hits
The next generation of breakout formats will only emerge from risk-taking, says John de Mol
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The PSBs have a secret weapon
Live entertainment is where broadcasters have an advantage over FAANGs, says Alan Tyler
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One size doesn’t always fit all
Adapting to each market has made All Together Now an international success, says James Fox
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Long live unfashionable shows
Mainstream TV is the backbone of the industry and deserves respect
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Let’s bring back entertainment
The king of TV genres has lost its crown but may have a new champion, says Steven D Wright
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How we're preparing to broadcast the 'biggest' music festival
The Biggest Weekend is unlike any live music event the BBC has put on before, says Alison Howe
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Comment
Bring back the Seaside Special
Summer telly used to be something to look forward to – not any more, says Steven D Wright
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Entertainment is alive and kicking
Discipline, collaboration and hard work over a long gestation period are key, says Peter Salmon
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BBC is bringing the music show into the 21st century
Today’s young fans demand much more than a chart rundown, says Jan Younghusband
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Sky has a lot to prove in light entertainment
Broadcaster’s new singing format needs to hit the ground running, says Stephen Arnell
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Comment
The key to winning Songs Of Praise
Enhanced performance capture and the stories behind the music were crucial, says Emyr Afan
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