All BBC articles – Page 242
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NewsAcorn TV takes All3 titles for Latin America
Kay Mellor’s Girlfriends among 180-hour package, while Fleabag heads to Comedy Central in the region
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NewsAnalysis: is Victoria Derbyshire serving the underserved?
Broadcast runs the numbers over axed BBC2 daytime current affairs show and its PSB rivals
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Behind The ScenesWin The Wilderness: Alaska, BBC2
White-knuckle flights, roaming bears and constant daylight were just some of the challenges faced by the makers of this Twofour series
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NewsCurious Films ties with Cineflix Rights
Fledgling indie seals first-look development deal with distributor
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NewsBaptiste takes another case for BBC1
Second series of The Missing spin-off will be set in Budapest
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CommentDon’t be a snob about daytime
Episodic shows give new writing talent an opportunity to hone their skills, says Dan Sefton
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CommentLandmark step for court reporting
Allowing cameras in courts will make the legal system more transparent, says John Battle
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CommentEra of change beckons for BBC
Next DG must stick to guns on funding but embrace transformation
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NewsWomen in the lead to replace Tony Hall
Charlotte Moore, Alex Mahon and Jay Hunt seen as best-placed candidates as early industry speculation over successor begins
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NewsDG remit poses challenges
Senior industry figures call for open-minded leadership as demands on the BBC escalate
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CommentDid the BBC lose its faith in its Year of Beliefs?
What happened to the corporation’s promise to bring religious debate to a wide audience, asks Torin Douglas
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Behind The ScenesDon’t Scream, BBC3
Creating fear and fun was the name of the game for our BBC3 reality show, says Simon Knight
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NewsPolitical battles and digital dilemmas: the story of Tony Hall’s tenure
The fight for the licence fee and seismic changes to BBC3 and BBC Studios characterise the last seven years
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NewsBritBox snaps up DRG shows
The Detectorists and The Cry among comedy and drama package joining PSB SVoD
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NewsMark Thompson: licence fee remains best weapon against market failure
Former DG also weighs in on ‘existentially important’ duty to reach younger audiences
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