All Broadcast Magazine articles – Page 25
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FeaturesEnd Credits: Carlo Dusi
The Endor Productions managing director on crying at Happy Valley and learning from Ridley Scott
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CommentJob uncertainty threatens progress made on diversity
Great strides have been made in attracting people from diverse backgrounds – but now we need to keep them, says Lorraine Heggessey
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FeaturesWhat producers look for in a post house
Two leading producers discuss what they want from a post facility, from talent and technology to the quality of biscuits
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FeaturesBroadcasters target novel IP
Netflix’s Alice Dill and Audible’s Lydia Shamah reveal what they look for when commissioning book adaptations
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FeaturesDiversity roundtable: We’re in it together
Amazon, Banijay and Fremantle diversity heads say more collaboration between broadcasters & indies is essential for true progress on inclusion
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FeaturesHiddenLight: Shining a light on trailblazing women
Chelsea and Hillary Clinton’s indie aims to create change by bringing remarkable stories of female pioneers to screen
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FeaturesInterview: Studio Lambert discuss the triumphant Traitors and the Squid Game controversy
Chief executive Stephen Lambert and creative director Tim Harcourt discuss scale, ambitions, the secrets behind Traitors and the Squid Game: The Challenge controversy
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FeaturesIn Conversation: Jack Thorne and Lisa McGee
The Derry Girls and Then Barbara Met Alan scribes discuss the creative processes behind their shows and the future of British TV writing
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FeaturesIndie Survey 2023: funding and inflation top list of indie concerns
As inflation bites and belts tighten due to the rise in the cost of living, the UK production sector is feeling the squeeze
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CommentTalent crunch poses questions we desperately need to answer
The logjam has finally eased off – so now is the time to get stuck into practical solutions
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The Broadcast InterviewJoe Lycett: a rebel with a cause
The comedian and consumer affairs champion discusses breaking free from formats, the pull of live TV and going viral
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CommentThe key to not ruining a good series: knowing when to stop
It’s tempting to continue season after season with a hit series, but that’s when you put its legacy at risk, says Danny Brocklehurst
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RatingsThe great outdoors still pulls a crowd
As Autumnwatch comes to an end, Stephen Price looks at how the BBC2 nature show compares with its spring and winter outings
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RatingsGenre overview tables: December consolidated
Including top 10 drama, factual and children’s programmes
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RatingsCarole outshines Red Riding Hood
Sky’s modern take on Dickens’s festive yarn delivers three times the audience of its fairytale adaptation
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RatingsEuropean dramas lose some ground
BBC2’s Vienna Blood and C5’s The Madame Blanc Mysteries fail to match their previous outings
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RatingsBBC1 dares and wins with SAS story
SAS Rogue Heroes among channel’s highest-rating dramas of 2022, while I Can See Your Voice dips in later slot
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RatingsWelsh thriller lights up C4
The Light In The Hall beats every C4 drama of 2022, while ITV1’s stripped January tale improves on last year
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FeaturesCreative Review: New worlds and deep fakes
From lighting up the land of the dead to creating the London of the future and turning actors into celebrity doppelgangers
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FeaturesWhat the BBC can learn from its global peers
Facing threats from streamers on one side and politicians on the other, the corporation is in the same boat as many other public service broadcasters