All Broadcast Magazine articles – Page 34
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Behind The ScenesGamesMaster: Rewriting the code for TV gaming
How the producers of the C4 reboot kept the original’s DNA while updating the format for gamers raised on esports and Twitch
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CommentSocial realism is helping broadcasters in SVoD battle
Series like C4’s It’s A Sin would never be greenlit by an SVoD – but they should, says Danny Brocklehurst
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FeaturesFocus Group: How are you making productions greener and more sustainable?
Jannine Waddell, Saunders Carmichael-Brown, Sarah Cunliffe and Kyran Speirs reveal what their firms are doing to help the climate
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Ratings
Genres - 28-day consolidated (August 2021)
Including top 10 drama, comedy and current affairs
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RatingsStaples show their value for the PSBs
The likes of BBC1’s The Repair Shop and ITV’s Long lost Family continue to play a vital role in the schedules
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RatingsDates with Love Island dry up after seven days
ITV2 show receives a huge boost in the first week post TX, but few additional views over a month
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RatingsFemale-led drama a big draw for C4
Deceit debut just pips I Am Victoria as broadcaster’s highest-rating original scripted series in August
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FeaturesTackling the talent crunch
Systemic change is needed, but cross-industry collaboration & a wider talent pool can help ease the problem in the medium term
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FeaturesEnd Credits: Jo Enyori
Woodcut Media’s head of development on Prince, Yorkshire and David Hockney
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RatingsBBC1 surfaces a ratings whopper
World Productions’ submarine thriller Vigil is second only to its other 2021 ratings hit, Line Of Duty
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RatingsCleaner mops up 16-34 viewers
Sitcom beats debuts of King Gary and Ghosts for the demographic, while BBC1’s 9/11 doc is pick of the bunch
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FeaturesGlued to the Screen: A House Through Time
The effort, skill and expertise involved in making David Olusoga’s BBC2 series come over clearly in every episode, says Claire McArdle
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FeaturesThe power of the sports doc
A panel of leading sports producers discuss the growth of the genre, how it is evolving and what makes a successful film
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Behind The ScenesAl Murray: Why Do the Brits Win Every War?
Avalon’s Sky History show takes a humorous look at Britain’s involvement in historical conflicts
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FeaturesMipcom: back to business
A quieter market in Cannes doesn’t deter buyers from developing fruitful partnerships and striking content deals
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CommentComparable data will benefit the commercial broadcasters
A cross-media measurement service puts TV in a better position to compete for advertising with the online giants, says Kate Bulkley
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CommentDistinctive domestic content is key to our national identity
Streamers have brought more choice but the PSB model must be protected, says Peter Bazalgette
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The Broadcast InterviewJoel Wilson & Jamie Campbell turn UK drama up to Eleven
The Sex Education execs on how a Netflix greenlight transformed the fortunes of their production company
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FeaturesFocus Group: Is specialist factual in a healthy place?
Danny Horan, Caterina Turroni, Siobhan Sinnerton and Steve Evanson make their case
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CommentTime to stop undervaluing our production managers
They are the backbone of every show and their worth must be acknowledged and properly rewarded, says Lorraine Heggessey