All Broadcast Magazine articles – Page 36
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The Broadcast InterviewJamilla Dumbuya & Ana Garanito: Turning Green Door’s vision into reality
How the two execs are tackling the challenge of turning Green Door into a production powerhouse
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Behind The ScenesThe North Water: Going the extra mile for authenticity
With its key whaling scenes filmed on location in the Arctic, The North Water is probably the most northerly drama shoot ever attempted
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RatingsHow TV is faring in the battle for 16-34s
As BBC3 gears up to relaunch as a linear channel in 2022, Stephen Price examines whether young audiences are still tuning in
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FeaturesEnd Credits: Kieran Doherty
The co-managing director of Stellify Media on CrossFit, Sean Connery and Can’t Touch This
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RatingsC5 drama takes a dip Down Under
Lie With Me is lowest C5 stripped series launch since April 2020, while Rob & Romesh fail to medal for Sky 1.
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RatingsPrison tale locks in viewers for BBC1
Jimmy McGovern’s three-part Time debuts with 11.3 million, trouncing slot predecessor The Pursuit Of Love
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RatingsC5 reaps benefits of holidaying at home
Susan Calman’s latest travelogue performs well for the channel, while a C4 thriller holds its own.
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RatingsSky Docs finds rich rewards in scandal
Ghislaine Maxwell: Epstein’s Shadow achieves channel’s second best rating since launch
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FeaturesGrowing up fast: the rise of AvoD
Though still to make a mark in the UK, AVoD platforms have exploded in the US, with those offering a ‘lean-back, linear experience’ the most in demand
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FeaturesGlued to the Screen: The Parisian Agency
Netflix’s French original turns the dial on the property format and adds some Gallic flair
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FeaturesSlow progress on industry diversity
A year after a wave of major representation commitments by the UK’s biggest broadcasters, there is still much to do
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FeaturesSue Murphy: broadening youth appeal on ITV2
Channel set to add darker tone to non-scripted entertainment slate with stories centring on social media
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The Broadcast InterviewBanijay UK: reaping the benefits of scale
Lucinda Hicks and Peter Salmon on the ESUK merger’s advantages and their plans to supersize development and the indie roster
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The Broadcast InterviewPeter Langenberg: ‘Banijay needs to get bigger’
The group’s chief operating officer on why the super-indie is not resting on its laurels
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CommentOlympics highlights the shift in power away from PSBs
Sub-licensing deal with Discovery leaves viewers disappointed and illustrates the tough challenges facing the BBC, says Scott Bryan
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Features9/11: One Day In America
‘We knew we had a responsibility to show what happened without sanitising the truth because so many of these deaths were horrendously violent’
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Features9/11: Inside The President’s War Room
‘The film is a unique attempt to capture the emotions, arguments and dilemmas at the top of government when faced with an unprecedented attack’
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FeaturesIn The Shadow of 9/11
‘These men spent years in prison cells thinking about what happened and were able to give considered, thoughtful accounts of a crazy situation’
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FeaturesSurviving 9/11
‘I wanted to make a very personal film about ordinary people caught up in an extraordinary event’