All Broadcast Magazine articles – Page 41
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FeaturesThe truth about disability in TV
Six people with disabilities open up about their lived experiences of working in the industry and how it could be improved
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FeaturesDisability report highlights ‘untapped potential’
CDN review urges industry to better leverage 14m strong group
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CommentDisabled people must be part of the conversation
Any solution for getting more disabled people into the industry should take into account our lived experience, says Caroline O’Neill
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CommentMisconceptions and biases are holding back progress
If we are to bring down the barriers to our industry, we need to change the narrative around disabled talent, says Deborah Williams
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CommentMaking the economic case for C4 is key to winning the fight
Broadcast editor Chris Curtis calls on the industry to argue that privatisation doesn’t stack up commercially
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FeaturesThe battle for C4’s future gets political
With Conservative advocates thin on the ground - what are the broadcaster’s prospects?
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FeaturesCreative review: Football, make-up and punk rock
From mixing interview and archive footage to colour-grading period beauty looks and creating a 100-strong choir
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FeaturesSky Documentaries hunts for stories with a ‘premium feel’
Biographies, music, crime and contemporary history docs are on the wanted list for docs director Poppy Dixon
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RatingsGenres - 28-day consolidated (April 2021)
Including top 10 drama, entertainment and comedy programmes
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RatingsFree-to-air shift sends Sky Arts soaring
Channel boosted by Freeview move, though its performance has dipped after an initial surge
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RatingsEasttown keeps Sky viewers hooked
HBO drama follows in the footsteps of The Undoing with a big-name female lead and strong ratings
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RatingsC4 finds more joy in Irish comedy
Gleeson brothers’ Frank Of Ireland is the broadcaster’s best 10pm sitcom launch since Derry Girls in 2018
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RatingsLine Of Duty saves the best till last
Finale achieved BBC1’s best drama rating since Bodyguard as hunt for the fourth man reached its climax
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RatingsITV comes out on top in drama clash
Stripped series Innnocent beats BBC1’s The Pact opposite, but the latter pulls in a larger ABCI audience, says Stephen Price
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FeaturesBuyers expand horizons as US shows dry up
The acquisitions landscape is changing as major studios retain content for their own streaming services & networks look elsewhere for deals
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CommentWhy is there still a stigma about coming out as disabled?
My own experience offers an encouraging sign that the industry is on the normalisation path, says Stu Richards