All Broadcast Magazine articles – Page 43
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FeaturesHow Netflix is looking after cast and crew
HR chief Emma Murphy explains how the SVoD giant is supporting freelancers as scrutiny of the industry’s working culture intensifies
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CommentThe UK should open up to the thrills of a writers’ room
There’s always a place for the singular vision but the US approach suits longer runs, says Danny Brocklehurst
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FeaturesFocus Group: What’s your go-to negotiation trick?
Our four panellists on ensuring talks run smoothly
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The Broadcast InterviewNida Manzoor: The punk spirit behind We Are Lady Parts
Writer and director on taking inspiration from her own life for her new C4 comedy about a Muslim female punk band
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CommentIndustry must stand together to stamp out harassment
More anti-bullying measures and a truly united front could give workers greater confidence to raise concerns
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RatingsGenres - 28-day consolidated (February 2021)
Including top 10 drama, entertainment and comedy programmes
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FeaturesFresh formats with promise
Broadcast profiles four titles generating plenty of buzz at this year’s virtual Mip TV
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FeaturesNew kids on the distribution block
Six distributors that have recently launched discuss the challenges of setting up a business during the pandemic
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FeaturesCreative Review: Enhancing the action
From the sounds of F1 and the Colombian jungle to a 3D model of the Valley of the Kings
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FeaturesEnd Credits: Ade Adepitan
The TV presenter and Paralympian on Nigerian trees, basketball and running the BBC
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FeaturesCo-pros soar as pandemic hits budgets
Broadcast Intelligence’s Commissioner Index has added 50 international commissioners keen to explore co-pro opportunities with British partners
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RatingsLockdown gives TV a shot in the arm
Daytime and peak viewing are both up over the past 12 months, despite growing SVoD subs
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RatingsOriginal drama delivers for C5
The Drowning leads the way as scripted push produces three of channel’s top five highest-rated shows
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RatingsThe Serpent and Finding Alice take different routes to success
BBC and ITV dramas achieve similar ratings, but the former receives a bigger pre-TX boost
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FeaturesGlued to the screen: 2020: The Story Of Us
Through heart-tugging first-hand accounts set against a backdrop of news footage, this ITV doc reveals our debt to NHS workers, says Sally Benton
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CommentYoung diverse talent will ensure docs continue to thrive
Documentaries create debate and offer fresh perspectives – they can only be enhanced by including more voices, says Lorraine Heggessey
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Behind The ScenesThe Beast Must Die: Revenge is sweet
The team behind BritBox’s original drama on how colour-blind casting & a gender switch bring a different dimension to their novel adaptation
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CommentWe must give young talent the opportunity to hone their skills
The industry should provide training and allow people to make mistakes rather than reject them because they lack experience, says Ruth Pitt