All Comment articles
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CommentThis is what East Asian invisibility looks like
East and South East Asians are asked to consult on projects about their background, but never to lead - something has to change
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CommentWe must nurture the UK’s sport and entertainment output for global success
Whisper’s Sunil Patel urges the government to do more to secure the UK’s future as the global home of entertainment, sport, culture and collaboration
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CommentWe need to shout about women’s contribution to true crime
Women make up the majority of the genre’s viewers and the victims depicted on screen - but they’re also shaping the narrative
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CommentDiversity is ‘fundamental pillar’ of our industry
CDN members underline necessity for ‘creativity, innovation, and long-term success’ amid global DEI travails
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CommentFatima Salaria: We must say the unsayable
If we want the industry to thrive, there are conversations we can’t keep putting off
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CommentThe time is right to overhaul freelancer rates
Our outdated budget banding structure creates inconsistancy and confusion over budgets and how much freelancers should expect to be paid
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CommentHow to maximise your relationship with VFX
Emma Kolasinska at Lux Aeterna explains how VFX artists can help solve story challenges and elevate your project without inflating the budget
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CommentBaftas 2025: low-key, leftfield winners are well received
BBC stands tall in Charlotte Moore’s swansong year; The Jury Murder Trial and Would I Lie to You among unexpected winners
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CommentTrump’s film tariff statements raise more questions than they answer
Mooted tariffs will likely harm the very companies he seeks to strengthen, says Bernard Hay of the Creative Industries Policy and Evidence Centre
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CommentTrump’s 100% tariff: No need for panic, for now
Jeremy Roberts, head of TV & film at London legal firm Sheridans, on why calm heads must prevail
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CommentMobeen Azhar: The start I needed and the future we crave
The industry needs talented individuals offering new perspectives to join its ranks - to acheive that, we must invest in the pipeline
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CommentAnalysis: Alex Mahon’s C4 tenure and what comes next
Chris Curtis: Outgoing boss grappled with privatisation, ad market fluctuations and elusive younger viewers. Her successor may well face the same
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CommentTrue indies have always been the outliers – but we must persevere
Nicholas Sercombe reflects on an increasingly difficult world for independent production companies
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CommentWhy deepfakes are the next big threat to broadcast credibility
Matt Stagg explains why sports broadcasters are particularly susceptible to deepfakes and how to avoid getting caught out
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CommentThe development credit row points to the need for a bigger industry rethink
Give credit where it’s due, but industry must be open to equitable models of pay and collaboration, writes Jon Willers
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NewsWhat AI audio separation could offer TV viewers
Moises’s Matt Henninger (VP, Business Development & Sales at Music.ai) explains the benefits of AI-driven audio separation for the TV industry
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CommentSpelling out what Trump’s tariffs could mean for TV
Jeremy Roberts, head of TV & film at London legal firm Sheridans, on the indirect consequences of US action
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CommentWhy Last One Laughing UK is more than just a (very) funny show
Zeppotron/Initial’s Amazon Prime Video production is great example of a pivot paying off, writes Chris Curtis
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CommentPost-production shouldn’t be an afterthought
Collaboration with post teams from inception to completion can yield dividends, says Arrow Media’s head of post-production Kyran Speirs
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CommentRoy Ackerman: Theatrical feature docs are not the only game in town
Powerful, independent films still have a place on linear channels, with cuts to running times and budgets