All Comment articles – Page 23
-
CommentJules Hussey: why I quit producing
Ralph & Katie and Guilt producer sets out her reasons for focusing on fledgling indie Brazen
-
CommentDerek Drennan: retaining the best production management talent
Retaining production staff is a growing challenge, and will require a shift in employer approach
-
CommentMipcom returns bigger and bolder
International editor John Elmes highlights which programmes are likely to make biggest splash in Cannes
-
CommentNetflix hastens ad-supported plan to take on Disney+
GlobalData, the new owner of Broadcast / MBI, expects budget-conscious consumers to embrace Basic with Ads tier
-
CommentGoing for Broke: a tricky path from football to TV
Marvin Sordell on breaking the stigma of footballers being solely focused on the game & how life experiences can translate into fresh takes in TV
-
CommentThe industry must protect its ability to collaborate across Europe
Director Alex Jacob argues European co-production is a brilliant experience - but Brexit is making it difficult
-
CommentPitching shows in the US is a whole new ball game
I’ve had to quickly master new terminology and working practices in a country where the deal is king, says Roy Ackerman
-
CommentThe Queen’s funeral was a TV production masterclass
As King Charles III takes his place on the throne, the global audience’s appetite for royal stories will only grow, says Nick Bullen
-
CommentMipcom returns in full force to an industry in a state of flux
The production boom continues apace, but industry is grappling with a raft of new challenges
-
CommentGrowth returns but sector feels economic pinch
“Fighting consolidation and competing for programming, a growth story is a good story and UK distributors have stepped up once again”
-
CommentMarcus Ryder: Queen’s death has exposed UK media’s diversity problem
‘At important national moments such as these, it is vital that the whole country is represented in all its diversity’
-
CommentRevivals can give broadcasters the edge over SVoDs
Debates over the ’laziness’ of reboots dominated Edinburgh but Scott Bryan argues familiar formats can be challenging and rewarding
-
CommentKatz: a C4 recommission is about more than viewing figures
Linear and All 4 audience data, cost of production and whether a show hits our public service remit all come into play
-
CommentWinners all round as Uefa divvies up broadcast rights
With BT, Amazon and the BBC sharing the spoils, the latest rights auction offers pointers to how the market is evolving, says Mike Darcey
-
CommentScript editors aren’t given the credit they deserve
These unsung heroes have one of the most important roles in the writing process, says Danny Brocklehurst
-
CommentThe subscribers-at-any-cost model is no longer feasible
As consumers tighten their belts, streamers will have to embrace more traditional business models to survive, says Kate Bulkley
-
CommentBreakout British hits can help Netflix navigate its wobble
Dip in subscribers increases the stakes in the streaming wars
-
CommentBuilding a strong and inclusive studio culture in a virtual world
Jellyfish Pictures founder Phil Dobree discusses how to create and harness a great company culture in a hybrid working environment
-
CommentWhen it comes to training, we need more than sink-or-swim
A more structured approach could reduce the skills gap, open opportunities to freelancers and boost the health of the industry, says Kate Fletcher
-
CommentMeet Jonathan Indie-Boss, hirer of the disabled
Stu Richards takes a sideways look at what comes after the diversity recruitment box gets ticked