All Comment articles – Page 20
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GB News review: one-sided TV and proud of it
The much-debated news channel has hit our screens with a few scores to settle, but does it offer something new, asks Stewart Purvis
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RIP to my Holby City family
Don’t let the heart of BBC1’s medical drama be forgotten, says David Innes Edwards
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Storytelling must reflect Britain’s diversity
We should strive to provide everyone with the opportunity have their experiences reflected, says Emily Burnett
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It’s time to truly welcome the LGBTQ+ community
Television has a responsibility to create worlds featuring safe queer spaces, says Sophie Bernberg
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N&R indies must target premium factual
The growing number of regional indies means producers must engage SVoDs to land work, says Ben Smith
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Roku has the tools to make its mark in the streaming world
The US firm has evolved and its user relationships and advertising expertise put it in a strong position, says Kate Bulkley
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Be nimble and open-minded to thrive in changing times
Argonon will adapt to new platforms, content providers and shifts in consumer behaviour as it enters its second decade, says James Burstall
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Impartial news is the bedrock of our PSB system
ITN’s special recognition win at the Broadcast Awards underlines the need for public service journalism, says Deborah Turness
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Celebrating the best of British TV
“The industry’s innovation and perspiration helped see the nation through an incredibly testing period”
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The UK should open up to the thrills of a writers’ room
There’s always a place for the singular vision but the US approach suits longer runs, says Danny Brocklehurst
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Failings of the past must not damage the BBC’s future
Broadcast’s view on the Bashir scandal and Lord Dyson’s report
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Mental health behind the screen is at crisis levels
Not enough action is being taken to improve the mental health of post house talent, says Zeb Chadfield
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Don’t let indie TV become the new ESL
There are many parallels between the shape of the UK production sector and the failed European Super League project says Danny Fenton
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VFX and the virtualisation of content
David Ingham, client partner, media and entertainment at Cognizant explains how visual effects are opening up ever more creative options for producers
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Stuart McDonald: a personal tribute
Richard Woolfe remembers an outstanding director and a dear friend
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Magic Hands: setting an example for the younger generation
Execs tackled racism in the deaf community in first UK kids series to feature a majority deaf, black crew and presenting lineup
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Original voices on Coronation Street
David Proud sets out how he combined ‘wheelchairs and cobbles’ with great success
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Systematic change is needed for dignity at work
Resource must be allocated if harassment is to end, says Bectu head Philippa Childs
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Lack of diversity is a market failure
Monopsony theory teaches us why broadcasters fight over Steve McQueen but the rest of the industry remains remarkably non-diverse, says Marcus Ryder
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Young diverse talent will ensure docs continue to thrive
Documentaries create debate and offer fresh perspectives – they can only be enhanced by including more voices, says Lorraine Heggessey