All Comment articles – Page 21
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CommentMichelle Donelan: why I won’t sell C4
Exclusive: culture secretary reveals rationale for calling off previous regime’s privatisation plan
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CommentC4 is safe – but now faces in-house dilemma
Broadcaster will now enter a new era, irrespective of avoiding privatisation
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CommentGearing up for a world without traditional broadcast TV
Pierre de Lannoy at MiQ discusses how the industry can adapt to an internet-only TV environment
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CommentTop 10 comment articles of 2022
Including Ian Katz, Marcus Ryder, Jules Hussey and Steven D Wright
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CommentMike Darcey: Bob Iger has his work cut out to bring back Disney magic
The problems the former chief executive has been brought back to fix are the result of his own strategic calls
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CommentUsing Dolby Atmos to distribute production music
Garry Judd at Artful Production Music explains why libraries should look to offer Dolby Atmos music mixes
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CommentScott Bryan: Rebranding channels can create confusion rather than clarity
Updating long-established channel and platform names for the streaming age doesn’t always pay off
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CommentNo one wins if the balance of reboots tips too far out of kilter
It makes sense for broadcasters to play it safe, but reboots are limited and offer no guarantees
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CommentPaul Sumpter: Creating the new sound of ITV and ITVX
The creative director of the sound house behind the musical aspects of ITVX explains how it came about
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CommentCOMMENT: A smarter way to work with metadata
Sunil Mudholkar, vice president of product management at EditShare on the value of handling metadata more efficiently
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CommentBroadcasters overlook the Midlands at their peril
The Midlands region accounts for more than a quarter of BBC licence fee income - it’s time some of that was reinvested, Will Hanrahan says
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CommentSign2Win is quietly revolutionary television
The gameshow featuring Deaf contestants, host and crew has challenged the industry to produce more gripping, inclusive TV
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CommentHow AI can automate multi-language dubbing
Jesse Shemen, co-founder and CEO of Papercup explains how AI can help your content reach big global audiences on FAST platforms
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CommentStripped shows and indie deals prove factual firepower
The genre is showing its strength with a raft of indie acquisitions and some bold and punchy scheduling
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CommentConfidence takes a hit as costs rise
‘The economic situation is having an impact on commissioners’ appetite for risk’
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CommentDanny Brocklehurst: Think hard before bringing a real-life murder case to screen
Audiences love true crime, but film-makers need to consider its impact on the community involved, says Danny Brocklehurst
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CommentKate Bulkley: Economic uncertainty won’t put the brakes on M&A boom
Hunger for intellectual property will continue to drive acquisitions from strategic buyers in spite of rising debt costs, says Kate Bulkley
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CommentFaraz Osman: What’s the alternative to Twitter?
Broadcasters and producers have few other ways to connect with audiences and get feedback on their shows, says Faraz Osman
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CommentLife rights – a ‘mostly true’ story
Adapting a real-life narrative often means navigating a complex range of legal issues, says Nick Swimer
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CommentRisk-taking is required to find next gen hits
Telly’s not rubbish says Andrew Newman, but it wouldn’t hurt if it got a bolder