All Comment articles – Page 21
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Slow Horses: striking the right tone
Director James Hawes on See-Saw Films’ ‘anti-Bond’ espionage series for Apple TV+
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Factual and formats to the fore at Mip TV
‘In the fight for eyeballs, the supremacy of drama is being eroded’
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Peter Bazalgette: A new kind of journalism has come to the fore in Ukraine
Social media videos combined with responsible reporting provide a powerful antidote to fake news and propaganda, says the ITV chair
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Time for broadcasters to dare to be different
ITV’s move into the on-demand world signals a new era as PSBs start to push the boundaries
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Cautious optimism as industry recovers
‘Given what we have all endured, there is much to celebrate in this year’s survey’
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How the Breakthrough Leaders programme benefited my career
It’s important to remember why these programmes need to exist, says factual producer Dani Carpanen
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Lower cost drama needn’t mean lower quality shows
Chalkboard managing director Mike Benson on getting creative to finance primetime TV
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5 Tips for Cloud Production
Jakub Majkowski, COO of Tellyo, offers his advice if you’re planning a cloud production project
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Five ways to plug the unscripted skills gap
Gritty Talent’s Mel Rodrigues offers tips for attracting a wider pool of skilled talent
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IWD: Setting the scene for a more inclusive industry
Discovery’s Clare Laycock shares her views on improving inclusivity and effecting lasting and meaningful change
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IWD 2022: Celebrating women in VFX
Alex Coxon speaks to established and up-and-coming female talent in VFX to find out more about their careers and aspirations
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IWD – why there is still much work to do
Progress has been made but we must acknowledge areas where substantial improvement is needed, says WFTV chair Liz Tucker
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Peaky Blinders: portraying Birmingham in Manchester
Screen Manchester’s Bobby Cochrane on producing the drama in the heart of a busy city
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What has happened to the role of production managers?
PMs have become increasingly marginalised and the role is far less attractive than it used to be, says Adrian Pegg
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How to organise a successful virtual production shoot
Alexis Haggar of Lexhag VFX says the key is investing time in planning, having a highly skilled team working together, and shooting in the right digital environment
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Jazz Gowans: the West Midlands has tonnes of untapped talent
The region is buzzing and the industry would do well to tap into the opportunities it has to offer, says the Nine Lives Media co-creative director
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London prepares to welcome the world
London TV Screenings is a celebration of the very best in programming
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10 reasons why I quit production
Fanta Jarjussey worked in production for 13 years before opting to leave, below is her open letter to the industry published in full
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Faraz Osman: Don’t let the UK’s thriving kids’ content sector wither
With the BBC licence fee frozen and the YACF culled, this vital part of the industry needs as much support as it can get
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Getting to the bottom of comedy’s cancel culture
Comedy is about saying the unsayable but in a fast-changing landscape it’s hard to know what is acceptable