All Comment articles – Page 31
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CommentRIP to my Holby City family
Don’t let the heart of BBC1’s medical drama be forgotten, says David Innes Edwards
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CommentStorytelling must reflect Britain’s diversity
We should strive to provide everyone with the opportunity have their experiences reflected, says Emily Burnett
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CommentIt’s time to truly welcome the LGBTQ+ community
Television has a responsibility to create worlds featuring safe queer spaces, says Sophie Bernberg
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CommentN&R indies must target premium factual
The growing number of regional indies means producers must engage SVoDs to land work, says Ben Smith
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CommentRoku has the tools to make its mark in the streaming world
The US firm has evolved and its user relationships and advertising expertise put it in a strong position, says Kate Bulkley
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CommentBe nimble and open-minded to thrive in changing times
Argonon will adapt to new platforms, content providers and shifts in consumer behaviour as it enters its second decade, says James Burstall
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CommentImpartial news is the bedrock of our PSB system
ITN’s special recognition win at the Broadcast Awards underlines the need for public service journalism, says Deborah Turness
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CommentCelebrating the best of British TV
“The industry’s innovation and perspiration helped see the nation through an incredibly testing period”
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CommentThe UK should open up to the thrills of a writers’ room
There’s always a place for the singular vision but the US approach suits longer runs, says Danny Brocklehurst
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CommentFailings of the past must not damage the BBC’s future
Broadcast’s view on the Bashir scandal and Lord Dyson’s report
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CommentMental health behind the screen is at crisis levels
Not enough action is being taken to improve the mental health of post house talent, says Zeb Chadfield
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CommentDon’t let indie TV become the new ESL
There are many parallels between the shape of the UK production sector and the failed European Super League project says Danny Fenton
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CommentVFX and the virtualisation of content
David Ingham, client partner, media and entertainment at Cognizant explains how visual effects are opening up ever more creative options for producers
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CommentStuart McDonald: a personal tribute
Richard Woolfe remembers an outstanding director and a dear friend
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CommentMagic Hands: setting an example for the younger generation
Execs tackled racism in the deaf community in first UK kids series to feature a majority deaf, black crew and presenting lineup
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CommentOriginal voices on Coronation Street
David Proud sets out how he combined ‘wheelchairs and cobbles’ with great success
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CommentSystematic change is needed for dignity at work
Resource must be allocated if harassment is to end, says Bectu head Philippa Childs
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CommentLack of diversity is a market failure
Monopsony theory teaches us why broadcasters fight over Steve McQueen but the rest of the industry remains remarkably non-diverse, says Marcus Ryder
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CommentYoung diverse talent will ensure docs continue to thrive
Documentaries create debate and offer fresh perspectives – they can only be enhanced by including more voices, says Lorraine Heggessey
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CommentWe must give young talent the opportunity to hone their skills
The industry should provide training and allow people to make mistakes rather than reject them because they lack experience, says Ruth Pitt