Comment – Page 19
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Disrupted future is bright for producers who adapt
Digital services will shape TV and producers must embrace the change, says Sam Barcroft
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Stop pandering to today’s yoof
If you stick to making good shows, the cool kids will come back, argues Steven D Wright
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PSBs realise strength in depth
Joining forces is the only effective way to deal with digital rivals
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Flicker of vulnerability in Netflix
As the king of the streamers wobbles, will its competitors zoom in? asks Kate Bulkley
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Benefits of the DIY approach
A new business model is helping producers retain IP and dominate ratings, says Henry Scott
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Revolving door at DCMS does industry no favours
The latest DCMS recruit is the seventh to head up the department since 2012
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Youth puzzle needs broad remedy
Mainstream channels must be part of response to 16-34 conundrum
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They thought it was all over…
C4’s experiments with ‘contextual’ advertising put TV back in the game, says Kate Bulkley
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Taking celebrity travelogue into uncharted territory
Our Russia and North Korea films mark a big step forward for ITNP, says Will Smith
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BFI fund puts kids’ TV at crossroads
Proposals must have buy-in from all PSBs for a chance of success
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Time to put kids directors in the spotlight
Bafta’s new category is long overdue, say Darcia Martin and Delyth Thomas
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Kids’ genre is turning a corner
Contestable Fund and government support are reasons to be cheerful, says Anna Home
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Partnerships key in digital world
Scale and depth of catalogue is what matters for online viewers
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Maths Men are the new Mad Men in a data-driven world
Cannes Lions shows where the power lies in the advertising industry, says Kate Bulkley
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Drama strategy needs a rethink
As production costs rise, free-to-air broadcasters will struggle to compete, says Simon Cornwell
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New talent hits back of the net
Scott and Aluko show that it is worth taking a risk on fresh faces
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Analysis: Different paths to growth
In the first of a regular series, Jonathan Broughton surveys broadcasters’ investment strategies
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Diversity key to representation
Widening the workforce will lead to more nuanced programming
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Power swings to rights holders
Discovery’s PGA Tour deal highlights rise of direct-to-consumer offerings, says Kate Bulkley