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CommentStudios should take the lead on clean energy
Bottle Yard’s business operations manager and sustainability lead Katherine Nash on how community energy could spell new opportunities for studio solar installations
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CommentThe Basics: Everything you need to know about "shiny floor" studios
Paul McGavin, studio turnaround manager at dock10, explains why shiny floor shows are called just that
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CommentPaul Epstein: We still need to be vigilant about AI in writers’ rooms
AI will bring opportunities to the industry, but it cannot replace human ingenuity
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CommentThe legal issues surrounding deepfakes & AI content
Oliver Lock, reputation management expert at law firm Farrer & Co., gives an overview of the risks and possibilities around AI-created or edited content
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CommentThe future of AI in TV
dock10 head of production innovation Richard Wormwell gives his thoughts on the current buzz topic
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CommentInnovation Takes Centre Stage at IBC
Andy Walker at Accenture provides his opinion on the main themes to emerge from IBC2023
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CommentHow to translate data into a compelling visual story
Ash Potterton at Arrow Media on bringing the data component in stories to life in on-screen graphics
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CommentHow Data Is Empowering Innovation
Skip Levens explains how building modern technology infrastructures will aid the growth of AR, VR and VFX
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CommentWhy TV composers need to make Atmos their norm
Sefi Carmel, CEO of SphereTrax, on the benefits of the format
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CommentAlex Connock: AI isn’t going to replace the human touch any time soon
The technology has upsides and downsides, but human insight and sensibility cannot be easily replicated
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CommentMy Top Tips for using AI-based VFX tools
Social media influencer Brandon Baum, founder and CEO of StudioB, explains how he uses a range of AI tools in his VFX work
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CommentCreating a state-of-the-art shark lab in CG
Arrow Media’s Nick Metcalfe goes behind-the-scenes during the making of When Sharks Attack 360
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CommentAndy Waters: Pushing boundaries is vital – especially in tough times
Embracing tech such as virtual production can help navigate challenging periods in a sustainable way, says the Dock 10 head of studios
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CommentMarcus Ryder: AI presents an existential threat to media diversity
Here’s how we can protect the precious progress with have made on diversity from the biases built into artificial intelligence
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CommentJohn Cassy: It’s early days, but Apple’s virtual reality headset really could change everything
VR will bring in new ways of experiencing and telling stories – and the TV world must be prepared to evolve
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CommentThe Future of sustainability in the broadcast sector
With World Environment Day encouraging action for the protection of the environment, Adrian Pennington talks to tech companies about their sustainability plans
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CommentFirst look at the Apple Vision Pro
Analyst Paolo Pescatore gives a first insight into the new tool, after attending its reveal at the 2023 Apple Worldwide Developers Conference
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CommentWhy multi-language audio will “drastically change” YouTube content
Jesse Shemen, CEO and co-founder of AI dubbing firm Papercup, reveals his thoughts on YouTube’s latest feature
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CommentThe growing influence of gaming VFX on the film and TV industry
Allan Poore at Unity explains how the lines between gaming and film technology are more blurred than ever
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CommentHow we brought Eurovision to UK viewers
dock10 studio manager Adam Balcombe reveals the facility’s work as a production base for the BBC’s transmission