Comment – Page 10
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Fear of failure is not an option
Singles and short-run series won’t bring long-term rewards, says Outline’s Laura Mansfield
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16-34s need dedication from the BBC
Shows specifically for young adults needed to build real rapport
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How Butterfly gave trans children a voice
Key figures behind ITV drama reveal how the series ‘normalised’ the issue for a terrestrial audience
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Fans come first for broadcasters
User data is key to keeping hold of audiences and maximising revenues, says Kate Bulkley
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No excuses in drive for sustainability
The industry must have zero tolerance for non-sustainable production, writes Andie Clare
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Drama boom spreads east
You’d be forgiven for feeling like you blink once and you’re back on a plane heading to another Mipcom
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A tale of two pre-Mipcom deals
Netflix’s swoops for Bodyguard and The Circle are a sign of the times
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Some stories never grow old
Events like the 1969 Manson murders will always fascinate audiences, says Richard Dale
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Smart scheduling boosts Bodyguard
Double-ep debuts and stripped shows help linear TV hold firm
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Let’s bring back entertainment
The king of TV genres has lost its crown but may have a new champion, says Steven D Wright
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The future is bright for formats
Queer Eye and our new Netflix gameshow prove the genre is alive and kicking, says Tom Popay
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Youth puzzle needs broad remedy
Mainstream channels must be part of response to 16-34 conundrum
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Taking celebrity travelogue into uncharted territory
Our Russia and North Korea films mark a big step forward for ITNP, says Will Smith
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Drama heads have lost the plot
TV schedules are stuffed with glossy shows with nonsensical stories, says Steven D Wright
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How to write a one-page drama pitch
Award-winning writer Dominic Carver offers his top tips for catching a commissioner’s eye
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Drama strategy needs a rethink
As production costs rise, free-to-air broadcasters will struggle to compete, says Simon Cornwell
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Studio Lambert: 10 years in the making
As Studio Lambert reaches its 10th anniversary, founder Stephen Lambert considers some of the indie’s most pivotal shows
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Diversity needs to go hand in hand with representation
Storytellers from different backgrounds are key to creating authenticity, says Alex Lamb
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Online docs have come of age with the rise of new platforms
The range of outlets with money to spend at Doc/Fest is telling, says Derren Lawford