Comment – Page 10
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CommentFactual series come back to the fore
“International TV distribution is in an interesting place right now”
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CommentProduction in Ireland is set to boom
The UK’s impending exit from Europe will shine a light on the country’s burgeoning production sector, says Larry Bass
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CommentPut climate at the heart of TV
Environmental message must reach viewers in an entertaining way, says Aaron Matthews
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CommentWhy I revisited the Ripper case
Re-examining the investigation reveals much about attitudes of the time, says Liza Williams
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CommentHow 60 Days On The Streets gives rough sleepers a voice
Our hard-hitting series puts to bed the myths surrounding homelessness, says Jamie Seal
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CommentA new balancing act emerges
Escalating tariffs and declining budgets bring a new set of pressures
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CommentFeature docs take centre stage
Primetime scheduling positions for C4’s Three Identical Strangers and Leaving Neverland could point to a new era
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CommentOur faith in Malaysia paid off
Filming Strike Back in an emerging market was challenging but worth it, says Kenton Oxley
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CommentBBC1 is boldly redefining mainstream comedy
Alan Partridge’s high-profile return is a victory for both performer and character, while Fleabag’s new slot points to an exciting future
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CommentTV has a duty to lead debate
It’s important to clear space in the schedule to address the issues of the day, says Guy Davies
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CommentOne size doesn’t always fit all
Adapting to each market has made All Together Now an international success, says James Fox
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CommentBBC3 finally gets a linear-leg-up
Dedicated BBC1 block will help in the upcoming fact-ent fight
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CommentMaking a connection is key with tricky contributors
Always stick to what you promise and never lose your moral centre, says Kira Phillips
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CommentFactual content has a new home
A boom in online advertising will help producers thrive in the digital world, says Sam Barcroft
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CommentNon-scripted shows resilience
The genre is fighting hard to remain relevant in the digital age
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CommentUnscripted has a bright future
But the genre needs to embrace technology and show shade as well as light, says Will Hanrahan
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CommentBandersnatch: an experiment in storytelling
Black Mirror special is fun - but it’s not the future of entertainment, writes Jesse Whittock
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CommentOur year on the UK murder trail
Rejecting the blue-light approach, we wanted to focus on the human cost, says Ben Anthony
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CommentLearning to love criticism
Doctor Who and Murdered By My Father writer Vinay Patel reflects on his coping strategies
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CommentNew writers keep drama fresh
The next generation of great talent is out there waiting to be heard, says Laurence Bowen