Comment – Page 14
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Time to bulk up or fall behind
Context is everything for AT&T/Time Warner merger, says Kate Bulkley
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Entertainment rises to challenge
Studio formats and comedy chat shows are hot on drama’s heels
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Caitlin Moran: the etiquette of crowd-funding
Raised By Wolves could get a new lease of life - but Caitlin Moran has already had to learn a few lessons about the etiquette of crowd-funding
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Kit evolves, but the art of storytelling remains key
Natural history film-making is about more than drones and UHD, says Paul Reddish
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Producers could find silver lining to the Brexit cloud
Government may offer generous tax breaks following Brexit, says Alistair Bambridge
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Proof is in the pudding for C4
Bake Off deal could be a decisive moment for indies and IP owners, says Chris Curtis
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You’ve got to commission sitcoms to have a hit one
Broadcasters should take more chances because audiences love them, says James Cary
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Kids and careers are compatible
If we’re given the opportunity, we can have both, says Mahalia Belo
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Help is at hand when your day job becomes traumatic
Don’t be afraid to ask for support when work takes a tough turn, says David Richardson
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Determination and self-belief helped us to reach our documentary destination
We managed to show a new side to China despite being in the shadow of McGregor and Boorman’s Long Way Round, says Ryan Pyle
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Which drama has the might to take Downton’s crown?
Broadcasters have backed series they think will equal drama’s success, says Stephen Arnell
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Big doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
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Escape To The Chateau: filming a French fairytale
Ahead of its final episode on Sunday, director Paul Crompton blogs on the experience of creating and making Channel 4 series Escape To The Chateau.
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Doc/Fest 2016: inspiring change
2016 is a year of far-reaching decisions. Some to be made by the people, some not. The EU referendum. The American elections. The future of public broadcasting.
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Single docs provide a perfect opportunity to be distinctive
This genre can hold its own against its series counterpart and drama, says Alisa Pomeroy
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Hidden worlds of the rich will prove a bigger draw
Factual shows around benefits will take a back seat to luxury lifestyles, says Dan Whitehead
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The South Bank Show: opening up the arts
The South Bank Show has become one of the most important cultural records we have, says Phil Edgar Jones
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BBC drama can only thrive with ambitious leadership
Whoever takes the helm will need to have strong creative vision - and a thick skin
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Putting new talent on the right path
It’s time to untangle the often impenetrable routes in the profession, says Bryan Elsley
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The story behind a successful Korean co-pro
The Bridge founder Amanda Groom this week won an award for the Most Significant Contribution to the UK-Korea TV Creative Collaboration at an event organised by the London Korean Drama Club. Here she reveals the story behind RTS Award-nominated S4C film Tears of Blood, which was co-produced by a Korean ...