Comment – Page 9
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CommentWelcome to Tokyo
UK indies are focused on making inroads into Japan, one of the toughest TV markets, reports Jake Kanter.
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CommentA one-size-fits-all rights model is hard to swallow
UK indie face a tough ride for a slice of American cable pie, says Jane Millichip
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CommentTime for Brits to show Latin American spirit
UK producers have a major opportunity to start exporting their content to Brazil on a much larger scale.
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CommentThe UK is the place to be for unrivalled creativity
Potential for new wave of indies is a huge draw, says Karoline Spodsberg.
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CommentCarving out a place in the digital TV jungle
Heather Killen explains how persistence and positioning paid off for H&C TV.
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CommentBreadth of catalogue has never been more crucial
Wide appeal leaves us less exposed as ideas blow hot and cold, says Patrick Roberts.
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CommentIP battles set to get more complex and interesting
Is ABC shooting itself in the foot with The Glass House victory, asks Jonathan Coad.
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CommentPrivate investors to help fill funding gap
Doc Heads’ mission is to boost range of quality films, says Katharine Round.
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CommentWhy united Americas makes sense for Zodiak
Digital division is likely to launch in the US, says Jonathan Slow.
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CommentGateway to the East is opening up territories
Natpe reveals opportunities in Central and Eastern Europe, says Karen Young.
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CommentGet your strategy right for international growth
Trust, diplomacy and local knowledge are essential, says Howard Myers
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CommentAnimation and licensing key to overseas success
Kids’ content has to travel well and have licensing potential, says Paul Robinson.
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CommentTaking a risk in Japanese market can pay dividends
Japan is fascinating but can be a tough place to do business, says Danny Fenton.
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CommentLearning to tap into a land of opportunity
There is a hunger for ideas at the Banff World Media Festival, says James Burstall.
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CommentGo East – as long as you’re flexible
Understanding Chinese regulations is crucial, says Kate Bulkley.
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CommentAcquisition frenzy can only add to the drama
UK drama producers are enticing bait, say Medwyn Jones and Colin Howes.
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CommentLA Screenings: A Seller’s View
As buyers take stock of this year’s LA Screenings offerings, Disney exec Catherine Powell reflects on the buzz, the success rate and the talent.
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CommentVariety the name of the game in LA Screenings
Treats come from a number of genres, says Sarah Wright, as the bidding begins
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CommentHigh-concept dramas return to sellers’ slates
As buyers assess the plethora of pilots one trend is clear, says Katie Keenan.
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CommentUS networks find fresh value in White Van Man
An open-minded attitude from ABC proved invaluable, says Adrian Poynton.


















