Comment – Page 3
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Quibi bids to overcome mobile SVoD curse
Loud and vivid but lacking depth is Broadcast insights editor Jesse Whittock’s first impression of fledgling service
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Hot shows for extraordinary times
Broadcast showcases the latest programming from around the world
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Deal-making enters a new era
Industry must reset its relationships to get through this turmoil
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Pressure on at Disney as Chapek takes reins
Kate Bulkley assesses how outgoing chief executive Bob Iger will work with successor Bob Chapek to secure his legacy
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Are digital markets the future?
As coronavirus closes Mip TV, there are alternatives to meeting face to face, says Ian McKee
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The heat’s on in Miami
Natpe proved its credentials as a proper sales market and avenue for an insight into the Americas, says Ben Barrett
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Netflix must adapt to flourish
With just a single revenue stream, the streamer is in a tough spot, says Simon Woodcock
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A new era for natural history
Growing interest from the US will shape the genre for years to come, says Stephen McQuillan
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Viewers expect access anywhere
Tech offers a solution for when EU portablity rules no longer apply, says Charlie Johnson
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Why investors still back Netflix
It’s right to question the SVoD’s debt burden, but its model is sound, says Linda Sullivan
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A new angle on the slave trade
Getting Samuel L Jackson on board means our series will be seen, says Simcha Jacobovici
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Redefining the business of TV
Germany’s ProSiebenSat.1 is taking a different route in the ad-funded world, says Kate Bulkley
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Rising to the challenge
“The Broadcast Distributors Survey 2019 throws up several examples of how the UK market is adapting to global deal-making”
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ViacomCBS needs to be smart
Scale is important but the right content is essential to compete with SVoDs, says Kate Bulkley
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ViacomCBS is a long-play game
Broadcast Intelligence: the merger of Viacom and CBS is not about short-term benefits
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John de Mol: fear is undermining hunt for hits
The next generation of breakout formats will only emerge from risk-taking, says John de Mol
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Japanese broadcasters are open for British business
Opportunities abound for those who are prepared to adapt, says Katherine Parsons
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Endeavor takes on the SVoDs
Talent agency-turned-content company makes a compelling business case, says Kate Bulkley
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Drama's co-pro conundrum
Will industry partners really turn off the funding tap or is the market in rude health, asks Max Goldbart
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Channel brands are losing power
As ecosystem changes, content creators need to rethink how they value IP, says Kate Bulkley