Comment – Page 7
-
CommentThe Basics: A brief history of lighting in entertainment
Oliver Howe, duty operations manager at dock10, looks at the past and future of lighting in TV and film
-
CommentHow next gen audio is transforming live sport
Yannick Olivier, lead broadcast engineer, France Télévisions, and Costa Nikols, strategy advisor, M&E, Telos Alliance, look at the future of sport audio
-
CommentWhat do visualised podcasts mean for fiction?
To make audio fiction work financially, you have to understand its value & the challenges it poses, says Goldhawk Productions’ John Scott Dryden
-
CommentAlly Castle: Ditch the disability doom and gloom
While we are not where we ultimately want to be, let’s not forget the advances made when it comes to disability
-
CommentThe decade-long friendship at the heart of Living Every Second: The Kris Hallenga Story
Neil Bonner on a relationship that began when he was a debut director and culminated in a new celebration of the breast cancer campaigner’s life
-
CommentDanny Brocklehurst: There’s still a need for drama with a distinctly UK flavour
Shows with specifically British themes may lack global appeal, but it is vital that we keep making them
-
CommentComment: How AI can be used to improve sport content
Aaron Edell, SVP of AI at Wasabi, explains how the combination of cloud object storage and AI is affecting sports content production
-
CommentQ&A: My company is struggling – what should I do?
Executive search and coaching company Quicksmith (and some friends) explain the best approach to running a business under pressure
-
CommentA battle to come through hard times
“Many report that there is now an expectation for distributors to plug big financing deficits, particularly for scripted programming”
-
CommentMaking the jump from headmistress to director
Waterloo Road’s Angela Griffin on how she realised her ambitions to direct after three decades in front of the camera
-
CommentScale is smashing, but has it got out of hand in drama?
The scripted arms race has catapulted the genre into new territory – but the funding model is creaking, writes Chris Curtis
-
CommentHow technology is moving the goalposts for football fans
Steve Knight, CEO of UIC Digital, looks at how technology could bring fans at home closer to games
-
CommentBritish and Irish co-pros just make sense
As neighbours we already have so much in common - and there’s never been a better time to collaborate, says Julianne Forde
-
CommentWhen dealing with tricky personalities, a little psychology can be a very useful thing
In an industry we’re all passionate about, it can be hard not to take conflict personally - but psychologist Janet Evans suggests taking a step back
-
CommentWhat can indies do to survive and thrive in late 2024 and beyond?
Victoria Powell offers advice on how to get through the next difficult few months
-
CommentHow to retain subscribers from major events such as the Olympics
Lina Tonk, CMO at Recurly, looks into how recent subscribers can be catered for
-
CommentContinuing drama is key to addressing TV’s class challenge
The talent working on soaps and long-running drama is right under the industry’s nose - and it is routinely ignored, writes Jon Sen
-
CommentEdinburgh 2024: a tale of class and company closures
Economic challenges make the urge to open up the industry even more compelling – but much harder, writes Chris Curtis
-
CommentFatima Salaria: Why I wanted to be part of factual drama’s golden age
A move into new territory was daunting, but I’m relishing the chance to tell under-represented, real-life stories,
-
CommentPatrick Holland: We must enable working class voices to succeed
Telly was at the core of my upbringing, and if we want to reach the widest possible audiences we have to be open to all