Comment – Page 2
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How to maximise your relationship with VFX
Emma Kolasinska at Lux Aeterna explains how VFX artists can help solve story challenges and elevate your project without inflating the budget
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How to bring live to FAST
Roger Franklin, chief strategy officer at LTN, looks at how live content could be vital for FAST
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Baftas 2025: low-key, leftfield winners are well received
BBC stands tall in Charlotte Moore’s swansong year; The Jury Murder Trial and Would I Lie to You among unexpected winners
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Why tech, not tariffs, could help US production
Scott Man, co-founder and co-CEO of Flawless, believes Trump’s tariffs are misguided
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Putting a price on energy efficiency in streaming
Damien Sterkers, video solutions marketing director at Broadpeak, looks at how streamers can profit from being more sustainable
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Trump’s film tariff statements raise more questions than they answer
Mooted tariffs will likely harm the very companies he seeks to strengthen, says Bernard Hay of the Creative Industries Policy and Evidence Centre
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Trump’s 100% tariff: No need for panic, for now
Jeremy Roberts, head of TV & film at London legal firm Sheridans, on why calm heads must prevail
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Why immersive storytelling has come of age
Immersive series director Charlotte Mikkelborg extols the virtues of producing great content for the Apple Vision Pro
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The hidden costs in post-production budgets
Samuel Edney, managing director of CETA Software, looks at where post houses spend, and how to budget for it
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Mobeen Azhar: The start I needed and the future we crave
The industry needs talented individuals offering new perspectives to join its ranks - to acheive that, we must invest in the pipeline
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Analysis: Alex Mahon’s C4 tenure and what comes next
Chris Curtis: Outgoing boss grappled with privatisation, ad market fluctuations and elusive younger viewers. Her successor may well face the same
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True indies have always been the outliers – but we must persevere
Nicholas Sercombe reflects on an increasingly difficult world for independent production companies
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How to launch your own virtual production studio
Ben Gunkel, broadcast manager, EMEA, at Disguise, explains how to set up your own virtual production studio
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The development credit row points to the need for a bigger industry rethink
Give credit where it’s due, but industry must be open to equitable models of pay and collaboration, writes Jon Willers
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Spelling out what Trump’s tariffs could mean for TV
Jeremy Roberts, head of TV & film at London legal firm Sheridans, on the indirect consequences of US action
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Why Last One Laughing UK is more than just a (very) funny show
Zeppotron/Initial’s Amazon Prime Video production is great example of a pivot paying off, writes Chris Curtis
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Post-production shouldn’t be an afterthought
Collaboration with post teams from inception to completion can yield dividends, says Arrow Media’s head of post-production Kyran Speirs
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Roy Ackerman: Theatrical feature docs are not the only game in town
Powerful, independent films still have a place on linear channels, with cuts to running times and budgets
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I got £50,000 to explore how PSBs could win over Gen Z - this what I found
Wider regulation and content designed for social media will help bring in younger audiences, Toby Cameron says
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Recognition is key to happy and productive workforces in difficult times
Improving staff wellbeing doesn’t have to cost money, says psychologist Janet Evans