Comment – Page 153
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CommentTime for indies to engage in future of kids TV
Making children’s TV is a job, not a hobby, yet still producers must fight to get it taken seriously, argues Tony Collingwood
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CommentThe future of TV advertising
Programmatic sales are set to become the norm, says Kate Bulkley
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CommentDear diary, what of TV’s future?
Can we trust tomorrow’s shows to today’s teens? asks Steven D Wright
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CommentTime to tackle licence fee process
Consensus is that last summer’s agreement was unsatisfactory
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CommentWhy The X Factor remains on song
Executive producer Richard Holloway explains why The X Factor remains part of the fabric of the nation, despite declines in ratings and reports of the show’s demise
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CommentEurope is more than a single market
Removing borders for TV and film could dilute content and distort the market, says Michael Maxtone-Smith
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CommentIs this the end for ads on TV?
Auto ad-skipping is striking fear into the industry, says Kate Bulkley
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CommentIs this really a golden age of UK drama?
To be on the same footing as international rivals, we need original stories, says Peter Ansorge
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CommentLet’s diversify writers rooms
If we want the best, we must give everyone a chance, says Debbie Moon
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CommentAwards highlight C4’s special status
The not-for-profit PSB finds there is great value in taking risks, says Chris Curtis
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CommentBroadcast Awards 2016: What a year
What a year. 2015 may have seen the end of Never Mind The Buzzcocks, Peep Show and Downton Abbey, but there were more than enough reasons to celebrate as a new wave of outstanding shows emerged.
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CommentWhy Watch became W
Despite some hits, Watch’s identity had become insistent. We needed to refocus on the viewer, writes Steve North
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CommentPublic service TV needs you to help shape its future
Be part of the debate to define the direction television needs to be taking, urges Des Freedman
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CommentA shout-out to the Sky ad team
Half-year results show new revenue is out there, says Kate Bulkley
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CommentDiverse content has to be made for it to be rewarded
Our industry isn’t giving diverse talent the chance to be recognised, says Fraser Ayres
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CommentSatire is the perfect way to take our politicians to task
UK has a fine tradition of satirical shows, but we need to keep it alive, says Simon Lupton
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CommentTV’s night of the long knives
Do exits foreshadow the death of our industry? asks Steven D Wright
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CommentMaking the most of co-pro opportunities in Germany
Interest in international co-production among Germany producers has never been higher. Miriam Ducke, senior trade adviser for Creative Industries, Berlin explains why.