Comment – Page 90
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CommentThe Basics: The geography of a TV studio gallery
dock10 studio manager David Blake explains how a TV studio gallery is set up
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CommentThe GenAI opportunities & challenges for the streaming industry
Maureen Kerr, partner and head of media & entertainment at UK Arthur D. Little, explains what it could mean for the sector
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CommentWhat is End-to-End and Why Does it Matter?
Bleuenn Le Goffic at Accedo explains why the much used term “end-to-end solution” is rarely a truly accurate description
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CommentAdam Jacobs: Why it might be time for guerilla commissioning
The creative director of Quintus Studios on getting unscripted ideas greenlit in difficult times
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CommentWhy the truth about climate change is a fiendish challenge for broadcasters
The deeply political nature of the issue must be confronted head on, writes Alf Lawrie
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CommentMay The Fourth: How streaming has powered the return of the jedi
Guy Meyers, regional director of customer success at Recurly explains how older franchises such as Star Wars have benefitted from streaming platforms
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CommentWhat filming the NT has taught us about capturing the stage
Vivid Broadcast founder and director Rory Springthorpe explains how they capture the stage for cinema
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CommentHow to produce live sport sustainably
IMG head of engineering, studios, Brian Leonard gives advice on how to approach live production without damaging the environment
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CommentNeil Thompson: GMB’s commitment to live TV is key to success
A decade of being topical and ‘in the moment’ has transformed our breakfast news bulletin into a global brand, says the Good Morning Britain editor
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CommentQ&A: Top tips on launching a FAST channel
To mark the launch of Staccs TV in the UK today, CEO Robert Kviby gives his advice on how to approach FAST
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CommentWhat does the Paralympics mean for representation in broadcast?
Purple Goat global client director Dom Hyams has been impressed by Channel 4 but thinks more needs to be done
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CommentHDR – What You Need to Know
Zeb Chadfield at The Finish Line provides an easy-to-follow guide outlining what to consider when finishing in High Dynamic Range
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CommentHumble winners are a cause for optimism in tough times
The 1% Club and Baby Reindeer couldn’t be more different – but these relatively modest British shows are both smashing it
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CommentDan Li: Red Eye’s representation of South East Asians is long overdue
SE Asian actors are too often confined to minor, stereotyped roles - but mercifully things are starting to change
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CommentLucy Pilkington: Co-pros aren’t scary - think of them as dating
Co-production can be a quick fling or a long-term thing - but the right partnership can be a win for everyone involved
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CommentAutism is not an on-screen entertainment fix
To mark Autism Awareness Month, Talisha ‘Tee Cee’ Johnson urges the industry to reflect different experiences of those on the spectrum
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CommentCamilla Arnold: Start bringing deaf talent into your team
To mark Deaf Awareness Week, the chief executive of the British Sign Language Broadcasting Trust outlines the organisation’s achievements
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CommentIt’s time to bridge the gap in women’s sport data
Pixellot VP of sales, coaching and analytics division, Kristen “Kiki” Enderle on why its vital data and analytics are brought to women’s sport
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CommentHow AI could transform sport viewing
Infinite Athlete VP of product, Felicia Yue, on what the fast-developing technology could mean for the industry
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CommentSector shows resolve amid the downturn
‘The current downturn is the most acutely felt, but is helping producers and distributors laser-focus on their strengths’