Drama Comment – Page 3
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CommentWhy it’s good to talk – and listen
Edinburgh offered reminder of the value of face-to-face discussion
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CommentJane Millichip: there’s no ‘norm’ in drama funding
Producers need to be agile as models evolve and new players emerge
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CommentAndy Harries: how SVoDs changed everything
Streamers transformed the sector, but PSBs can still punch above their weight
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CommentSome of the best stories are local
Global co-pros can be brilliant but there’s much to explore at home too, says George Ormond
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CommentCritical acclaim only half the battle
Do Sky’s quality, esoteric titles have more mainstream potential?
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CommentSky’s post-Thrones plan
The next steps for Sky Atlantic are vital now Game of Thrones’ watch has ended, says Stephen Arnell
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CommentCancellation is painful - but it doesn’t have to be the end
Like The Bletchley Circle, a good idea can find a new life elsewhere, says Jake Lushington
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CommentA little reality is good for drama
Our fictional team wanted to play in a real tournament, so we put it in the show, says Sam Talbot
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CommentWinter’s coming for dull drama
GOT has much to teach us – but only if broadcasters are ready to listen, says Steven D Wright
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CommentLinear schedule is far from dead
Audience buzz generated by a weekly fix is still a powerful tool
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CommentProduction in Ireland is set to boom
The UK’s impending exit from Europe will shine a light on the country’s burgeoning production sector, says Larry Bass
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CommentA new balancing act emerges
Escalating tariffs and declining budgets bring a new set of pressures
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CommentOur faith in Malaysia paid off
Filming Strike Back in an emerging market was challenging but worth it, says Kenton Oxley
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CommentBandersnatch: an experiment in storytelling
Black Mirror special is fun - but it’s not the future of entertainment, writes Jesse Whittock
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CommentLearning to love criticism
Doctor Who and Murdered By My Father writer Vinay Patel reflects on his coping strategies
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CommentNew writers keep drama fresh
The next generation of great talent is out there waiting to be heard, says Laurence Bowen
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CommentNetflix stages a very British coup
Appointment of Anne Mensah builds on important London hub
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Comment16-34s need dedication from the BBC
Shows specifically for young adults needed to build real rapport
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CommentHow Butterfly gave trans children a voice
Key figures behind ITV drama reveal how the series ‘normalised’ the issue for a terrestrial audience
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CommentFans come first for broadcasters
User data is key to keeping hold of audiences and maximising revenues, says Kate Bulkley