Drama Comment – Page 5
-
CommentSky needs to build on successes
Failure of shows to match their first runs is a persistent problem, says Stephen Arnell
-
CommentAll aboard the drama train
Is the genre in danger of going off the rails? asks Stephen Arnell
-
CommentThere’s a new game in town
It’s all about green-lighting projects at speed, says Kate Bulkley
-
-
-
CommentTime to bulk up or fall behind
Context is everything for AT&T/Time Warner merger, says Kate Bulkley
-
CommentProducers could find silver lining to the Brexit cloud
Government may offer generous tax breaks following Brexit, says Alistair Bambridge
-
CommentKids and careers are compatible
If we’re given the opportunity, we can have both, says Mahalia Belo
-
CommentWhich drama has the might to take Downton’s crown?
Broadcasters have backed series they think will equal drama’s success, says Stephen Arnell
-
CommentBig doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
-
CommentBBC drama can only thrive with ambitious leadership
Whoever takes the helm will need to have strong creative vision - and a thick skin
-
CommentPutting new talent on the right path
It’s time to untangle the often impenetrable routes in the profession, says Bryan Elsley
-
CommentSky needs dramas that can get the nation talking
Pay-TV giant’s splurge on original content has yet to pay dividends, says Stephen Arnell
-
CommentBuilding the long tail of TV drama
Letting viewers choose how to watch your shows expands their reach over time, says Gary Davey
-
-
CommentHistorical accuracy is paramount in period drama
An obsession with weather and an ear for slang have helped Julie Summers ensure ITV’s WW2 drama Home Fires is authentic.
-
CommentReinventing drama for Kenya
Lisa Sabina Harney’s debut as a series director took her to Nairobi, with a mission to empower women on- and off-camera.
-
CommentDramatic accuracy helps OJ drama hit the mark
Detail makes for gripping viewing, says the editor of the BBC’s coverage of the 1995 trial
-
CommentIs this really a golden age of UK drama?
To be on the same footing as international rivals, we need original stories, says Peter Ansorge
-
CommentLet’s diversify writers rooms
If we want the best, we must give everyone a chance, says Debbie Moon