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Factual Comment – Page 3
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CommentHow a TV doc became a West End show
Jes Wilkins and Jenny Popplewell on changing minds and lives with Jamie: Drag Queen At 16
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Letting the screen convey the truth
Following last night’s Research in Film awards, judge Jan Dalley discusses TV’s power to convey information
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Fake news under the spotlight
The inaugural Steve Hewlett debate brought news organisations together to discuss ways to tackle the issue
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True crime is in a golden age
The genre has become much more than just a handy schedule filler, says Chris Shaw
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Discovery's catch to safeguard the future
Acquisition of Scripps is a nod towards TV’s changing reality, says Kate Bulkley
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TV can play a big part in influencing social change
Our doc was entertaining, but also raised key issues, say Arwyn Evans and Clare Jones
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Filmmakers must ask the right questions
Derren Lawford suspects youth docs are missing the real issues
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Docs can move us in a way that scripted series can’t
Films like Exodus humanise issues to which audiences can feel numbed, says Lilla Hurst
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Reality trumps drama in the story of the OJ Simpson trial
Patience and hindsight give the documentary an electrifying power
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Race shouldn’t prevent big stories from being told
The accusations against Bill Cosby are too shocking to be ignored, says Lucy Pilkington
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Don’t neglect sensitivity for speed
Trust, tenacity and a talented team are key on a fast-turnaround doc, says Ian Rumsey
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Personal stories offer unique insight into historical events
Objects take on new meaning in our history of the LGBTQ community, says Eve Kay
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Access is key to producing great factual programming
Delivering an insightful show is all about building relationships
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ITN: It's no time to censor journalism
On World Press Freedom Day, ITN chief executive John Hardie warns of the threats to investigative journalism
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When the rules for wildlife filming go out the window
Producing 50 films without a shooting script was a risk, but it paid off, says Hannah Hoare
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A fishy tale that led to a hit series
After nine years, we felt it was time to catch our last River Monster, says Harry Marshall
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Possibilities are endless for VR wildlife documentaries
Immersive technology will transform how we make natural history, says Erfan Saadati
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From cutting room floor to viral hit
How Raw generated 8.5m Facebook views from unused footage from Cutting Edge film One Killer Punch.
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US to be fertile ground for docs
Strong factual community can capitalise on shock Trump win, says Chris Curtis
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Kit evolves, but the art of storytelling remains key
Natural history film-making is about more than drones and UHD, says Paul Reddish
