All Factual articles – Page 106
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News
Nat Geo boards History Hit Endurance doc
Little Dot Studios, Consequential and ABC News tie-up following discovery of Ernest Shackleton’s ship
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News
Jimmy Carr returns to C4, as Katz defends offensive jokes
Commissions second series of I Literally Just Told You So; Noel Clarke doc remains in development
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Discovery+ orders Raw Cut, Red Sky and Avalon docs
Trio of originals sit alongside four recommissions
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News
West Midlands indies score debut docs via BBC3 initiative
Acclaimed Content and Common Story, along with Full Fat, prep factual trio
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News
S4C hires Llinos Griffin-Williams as content chief
Wildflame creative director joins to push Welsh-language broadcaster onto global stage
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News
Jon Snow back on C4 with Putin single
Former C4 News presenter to front fast-turnaround doc from Rogan
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News
In brief: This Is MY House for Comic Relief; BBCS Italy deal
BBC orders Red Nose Day special of Expectation format while BBCS strikes factual deal
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News
Documentary grandee Roger Graef dies aged 85
Wide-ranging credits include Police, State Of The Nation: A Law In The Making, and Secret Policeman’s Ball
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News
BBC unveils broad factual slate to reflect UK edging out of the pandemic
Robert Maxwell, Idris Elba and Zambian animals front and centre of ecletic mix of titles
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News
BBC3 & DocFest re-open Northern Pitch competition
Opportunity for first-time northern talent returns after Covid-induced hiatus
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News
BBCS lands 150-hour deal with Sky in Germany
Includes titles such as Louis Theroux: Shooting Joe Exotic and David Attenborough: The Sound of Nature
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News
Art That Made Us & Lenny Henry doc series among BBC arts slate
Adaptation of Lucy Kirkwood’s Maryland play in the works
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News
Panorama readies fast-turnaround Ukraine special
Paul Kenyon and Jane Corbin report replaces obesity film
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News
Emergency: inside C4’s stripped doc series
Spencer Kelly sets out how The Garden tackled London’s Major Trauma Network System over four consecutive eps
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Behind The Scenes
Bad Love: Why Did Fri Kill Kyle?, BBC3
A multi-perspective approach helped bring balance to this emotive doc, says producer/director Danielle Spears