Features – Page 106
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Features9/11: the day that changed everything
Arthur Cary, Dan Reed, Daniel Bogado and Adam Wishart discuss their approach to their docs on the 20-year anniversary of the tragedy
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FeaturesSurviving 9/11
‘I wanted to make a very personal film about ordinary people caught up in an extraordinary event’
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The Broadcast InterviewBanijay UK: reaping the benefits of scale
Lucinda Hicks and Peter Salmon on the ESUK merger’s advantages and their plans to supersize development and the indie roster
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FeaturesIn The Shadow of 9/11
‘These men spent years in prison cells thinking about what happened and were able to give considered, thoughtful accounts of a crazy situation’
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Features9/11: Inside The President’s War Room
‘The film is a unique attempt to capture the emotions, arguments and dilemmas at the top of government when faced with an unprecedented attack’
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Features9/11: One Day In America
‘We knew we had a responsibility to show what happened without sanitising the truth because so many of these deaths were horrendously violent’
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FeaturesSue Murphy: broadening youth appeal on ITV2
Channel set to add darker tone to non-scripted entertainment slate with stories centring on social media
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Behind The ScenesThe Wimbledon Kidnapping, Sky Documentaries
Producer Joanna Bartholomew on revisiting an intriguing case of mistaken identity and bungling ineptitude
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FeaturesIndie sector speaks up to save Channel 4
Six indie bosses offer passionate defences of C4 – recalling how it boosted their careers &, kickstarted the independent production sector
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FeaturesAndy Harries, Left Bank Pictures
‘If Channel 4 had not rescued The Deal, it is almost certain The Crown would not have existed’
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FeaturesJimmy Mulville, Hat Trick Productions
‘I’m open-mouthed that this Tory government thinks it’s a good plan to flog off this unique institution like some secondhand Volvo’
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FeaturesKate Little & Claire Poyser, Lime Pictures
‘C4’s dedication to providing content to minority audiences is critical to ensuring that UK broadcasting includes the widest range of voices’
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FeaturesDavid DeHaney, Proper Content
‘The main reason I’m concerned about privatisation of C4 is the potential loss of risk-taking. C4 is the primary terrestrial incubator of innovation’
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FeaturesNeil Crombie, Swan Films
‘When you pitch to C4, it’s always: what’s novel about this? What different experiences and perspectives are we going to see?’
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Behind The ScenesCreating a Scandi/Scottish world for Alibi
Annika exec producer Arabella Page Croft spotted a tiny window of opportunity with lead Nicola Walker and grabbed it with both hands
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FeaturesCreative Review: Masked dates, music and medicine
From delivering a dating show with a difference to grading live music performances and colour matching 20 years of footage from Afghanistan
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FeaturesShift to homeworking fuels property programming boom
Number of shows commissioned in the genre in second quarter is double what it was in previous two years
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FeaturesEnd Credits: Simone Pennant
The founder and director of The TV Collective on her famous neighbour, magic mum and Idris Elba
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FeaturesHow best to call out bullying in TV
Freelancers have more options than ever for reporting bad behaviour, but navigating the array of different services offered can be challenging
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Behind The ScenesDeceit: Police procedure in the dock
Story Films hands a fresh perspective to C4’s drama exploring the notorious Rachel Nickell investigation