Features – Page 182
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FeaturesMr Inbetween
“I was aiming for something that would travel. It’s an Australian show, but it has universal themes”
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FeaturesA&E: US channel makes room to experiment
Hunting close-ended formats that tap into the zeitgeist
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FeaturesBritish drama
Two Cities Television and Sister Pictures make their debuts with the dysfuntional Patrick Melrose and divorce thriller The Split
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FeaturesInternational drama
Australia’s Harrow features alongside Argentina’s 100 Days To Fall in Love and two shows from Sky Deutschland
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FeaturesParamount Network: Viacom-owned channel joins power league
A focus on mysteries, thrillers and dramas about dysfunctional families
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FeaturesC More: Nordic SVoD adopts English to boost sales
Channeling more investment into originals - with a focus on English-language content
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FeaturesShowmax: South African SVoD on hunt for originals
’Open and receptive’ to working with global producers
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FeaturesCleaning Up
“It’s a piece about our time and the inequality in our world – but it is also very funny”
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FeaturesAction Team
“Imagine the Mission Impossible team but they are British, completely inept, and no way as cool”
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FeaturesMystery Road
“Our hope is that the series will not only be compelling, but will say something about Australian identity”
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FeaturesThe Rookie
“An enjoyable, accessible cop show that has the feel of a classic precinct show like Hill Street Blues”
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FeaturesWhere Is Thea?
“The Nordic countries are way ahead of the rest of the world in multiplatform storytelling”
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FeaturesModern Royals
“The editing is strong and pacy, creating a point of difference. We have pitched this doc quite young”
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FeaturesYear of the Tribe
“Millard reveals the way the tribe is transitioning out of the forest and adapting to the modern world”