Features – Page 216
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FeaturesTelevising the IP revolution
A panel of experts at the Broadcast TECH IP Summit discussed the technology’s potential as a creative tool, through advancements such as object-based broadcasting and remote production
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Behind The ScenesStacey Dooley: Guns, Girls and Isis, BBC3
Stacey Dooley has revealed her reasons for venturing into a war zone for the first time following the launch of her Isis-themed BBC3 documentary.
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FeaturesDock 10: why we bought 422
Dock 10 bolstered its post-production offering with a deal for Manchester facility 422 earlier this month. Chief executive Mark Senior explains why he snapped up the post firm.
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FeaturesBritain’s Ancient Tracks With Tony Robinson, C4
Picture and sound post-production on a Tony Robinson-fronted series that explores the mysteries behind Britain’s network of ancient tracks.
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The Broadcast InterviewAlisa Pomeroy, Channel 4
Channel 4’s documentaries commissioning editor talks to Miranda Blazeby about experimenting with form and subject matter – and why privatisation would put it all at risk
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Behind The ScenesAmerican High School, BBC3
Underprivileged students at a public school in America’s Deep South face huge challenges, but their sense of hope and determination was inspirational, writes Marcus Plowright
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FeaturesThe Crown, Netflix
Post-production on the 10 x 60-minute drama series that chronicles the lives of the royal family.
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Behind The ScenesBefore the Flood, Nat Geo
The ‘power of Leo’ compelled film-maker Fisher Stevens to return to the theme of climate change. The actor opened doors and made the topic sexy too, he tells Manori Ravindran
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FeaturesPlanet Earth II
Provide post-production and workflow services for the landmark wildlife series, facilitating Ultra High Definition (UHD) and High Dynamic Range (HDR) management, processing and delivery.
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Behind The ScenesHow the Box Was Born, BBC4
The first night of broadcasting was a variety extravaganza – The X Factor of its day – and recreating it was a daunting task, says Peter Gauvain
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Behind The ScenesTeen Mom UK, MTV
Zero fakery, an inspiring cast and gripping storylines with genuine emotion were key to replicating the appeal of the US format, says Fiona O’Sullivan
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FeaturesHacienda House Orchestra
Post on two versions of a doc in which New Order bassist and Hacienda co-founder Peter Hook, M People’s Mike Pickering and DJ Graeme Park try to reinvent house music with 70-piece classical orchestra the Manchester Camerata.
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FeaturesBritish Treasure, American Gold
Post on a six-part antiques and trading series fronted by Storage Hunters’ Jesse McClure
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FeaturesMipcom: simple formats shine
There was no breakout hit at this year’s Mipcom, but themes around conflict resolution, secrets and ageing emerged. Manori Ravindran takes a closer look at the shows that stood out
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FeaturesDiversity: is TV making a difference?
A panel of experts discuss what progress has been made and what still needs to be done
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The Broadcast InterviewGuy Slattery, Vice
Viceland’s UK ratings may not be giving its rivals sleepless nights, but general manager Guy Slattery says that bringing a new angle to broadcasting will reap rewards
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FeaturesHooten & the Lady
Picture post on the 8 x 60-minute drama series following the American adventurer Hooten