Features – Page 295
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FeaturesRichard Hammond's Secret Service
Create a title sequence and graphics for the hidden-camera show
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FeaturesAdvertisers take control
File-based workflows underpinned by asset management systems are shaking up the supply and delivery of ads to UK broadcasters, reports Adrian Pennington
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FeaturesDownton the benchmark for high-class drama
Ovation wants commercial, classy co-pros with UK indies, says Peter White
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FeaturesDavid Attenborough's Natural Curiosities
Bring to life the series in which David Attenborough examines some of nature’s evolutionary anomalies
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FeaturesHelping parents tackle new technology
Getting up to speed with the latest kit can be overwhelming, says Caroline Bingham
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FeaturesIn tune with business
The production music sector is thriving on the back of digital technology, higher quality and creative catalogues. Indies are striking deals to cash in, reports Adrian Pennington
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FeaturesSinging for your supper
Bringing Dancing On The Edge to the screen required a patchwork of funding, from the BBC to gap financing and selling the soundtrack rights. Tim Adler unpicks the details
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FeaturesKingmaker looking to crown a Nerd in Britain
Ben Silverman’s Electus is making moves to break into the UK, says Peter White
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FeaturesCall the Midwife
Provide full picture post-production for the returning 8 x 60-minute drama
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The Broadcast InterviewStephen Poliakoff
Writer and director Stephen Poliakoff talks about the important questions raised by his first full-length TV series, Dancing On The Edge, and how the BBC’s faith in him has been repaid
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FeaturesMr Selfridge
Complete full picture post on ITV1’s drama about the founder of the Oxford Street store
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Behind The ScenesSpies of Warsaw, BBC4
1930s Poland offered a rich setting for Fresh Pictures’ first drama series - and the timing was perfect for veteran screenwriters Dick Clement and Ian La Frenais. Olly Grant reports
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The Broadcast InterviewMark Browning, Chris Shaw and Emma Read, ITNP
In two years, ITNP has grown into a formidable production division, thanks to a content strategy built around its news heritage. What’s next on the agenda, asks Jake Kanter
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FeaturesWho’s top of the class?
Which indies are winning the biggest orders and who is the most prolific commissioner? Robin Parker delves into the latest data from commissioning index Greenlight to find out
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FeaturesThe good, the bad & the ugly of 2012
From Homeland and the Olympics through the Jubilee Pageant and TOWIE Live to Savile-gate, 2012 has been an eventful year for television.