Features – Page 65
-
FeaturesBend it Like Bollywood
‘You feel like you can’t walk away from the screen in case you miss a critical piece of information’
-
-
FeaturesThe Pez Outlaw
‘Steve broke the law, but he was also an underdog and you can’t help rooting for him’
-
FeaturesOrphan Black: Echoes
‘Many buyers are familiar with this universe and are looking forward to re-engaging with it’
-
FeaturesOb-docs put true crime in the shade
Analysis of Broadcast’s 100+ Hot Picks submissions reveals nearly 75% are unscripted, with just a single UK drama making the final list
-
FeaturesFifteen-Love
‘It’s a love letter to what sport can and should be, but it’s also an unflinching look at it’
-
Behind The ScenesDeborah James: Bowelbabe In Her Own Words, BBC2
Director Sara Hardy explains the challenges of creating an archive documentary using very 21st Century material
-
FeaturesSilence, language barriers and crime syndicates: the making of The Good Mothers
First director Julian Jarrold explains the challenges of filming a drama about the mafia in their own back yard
-
Behind The ScenesLyra, Channel 4
Director Alison Millar explains the heart-wrenching task of allowing her friend, the murdered journalist Lyra McKee, to tell her own story
-
-
FeaturesRonja, The Robber’s Daughter
‘The story may play out in medieval Scandinavia but everyone can relate to it’
-
-
FeaturesA Body That Works
‘It is a very emotional watch. Audiences will find themselves laughing and crying’
-
Behind The ScenesMade Up In Belfast, BBC3
Emma-Rosa Dias, managing director for Afro-Mic Productions, explains how BBC NI’s new glossy reality show came to be
-
FeaturesBrink Of Disaster
‘There has always been a fascination with this genre and it hasn’t diminished’
-
FeaturesRelocating Six Four to Scotland
How ITVX’s latest thriller reimagines Hideo Yokoyama’s Japanese bestseller in Glasgow
-
FeaturesEnd Credits: Carlo Dusi
The Endor Productions managing director on crying at Happy Valley and learning from Ridley Scott
-
FeaturesWhat producers look for in a post house
Two leading producers discuss what they want from a post facility, from talent and technology to the quality of biscuits
-
FeaturesBroadcasters target novel IP
Netflix’s Alice Dill and Audible’s Lydia Shamah reveal what they look for when commissioning book adaptations
-
FeaturesDiversity roundtable: We’re in it together
Amazon, Banijay and Fremantle diversity heads say more collaboration between broadcasters & indies is essential for true progress on inclusion