Creative Skillset’s Stepping Up scheme allows those working in TV to advance their career by learning from experienced colleagues. Broadcast speaks to three people helped by the project
With the market for VR headsets expected to take off over the next five years, the pressure is on producers to understand how to tell stories in 360 degrees.
The heads of technology at five leading playout organisations explain where they are investing to develop their business
The NHU’s latest series was Oscar-winning composer Steven Price’s first factual commission. But the natural world proved as inspiring as the space scenes for Gravity
Music licensing is an important area - but is not always covered well on TV production courses. Now music publishers are taking matters into their own hands, writes Kevin Hilton
Deciding which drone supplier is right for you can be a daunting process. We’ve compiled a checklist of some things you need to bear in mind before you take to the skies.
Laurence Hamilton-Baillie describes what he learned over two years shooting with drones in some of the planet’s most remote and inhospitable locations
From naked dating to mountaineering and feel-good prank shows, Peter White provides a rundown of the hottest international properties and the biggest emerging trends.
Sky 1’s new comedy and music spectacular Bring The Noise breaks with panel show tradition by taking inspiration for its set from concert arenas
As ITN celebrates its 60th birthday, ITV News editor Geoff Hill introduces a look back at the key moments and innovations that have helped it change the way we see the world
Northern Ireland Screen’s Aim High scheme has been helping to develop the next generation of TV producers. Now it’s turning its attention to animation and gaming.
Global demand for production space is fuelling a boom in the sector both in the UK and abroad. Adrian Pennington looks at what the most in-demand overseas operations have to offer
The city’s animation industry is thriving as companies take advantage of new funding models and tax credits from both the UK and Ireland.
From high-end drama and primetime formats to award-winning docs, Northern Ireland is a region that’s starting to shine
For the Rugby World Cup kicking off in September, host broadcaster ITV will be rolling out a series ofinnovations in replay technology, camera positioning and fibre connectivity. Adrian Pennington reports
More productions are embracing Bafta’s Albert+ sustainability scheme, but progress is slow and a health & safety-style mandate for broadcasters is needed, says Jane Marlow
Avid is to overhaul the way that it certifies third party software in a bid to speed up the process of creating apps for use with the company’s MediaCentral Platform.
Despite the best efforts of location sound recordists and mixers, extraneous noise can sometimes make it to post. Four experts reveal their tools and techniques for getting rid of the unwanted hums, clicks and pops.
Growing demand for Ultra HD in live sport is driving change in OB technology, from IP delivery to remote production, writes Adrian Pennington
From Surrey to Scotland, the growth of high-end TV production is driving demand for UK studio space. Adrian Pennington looks at the new space coming on stream
The technology to work with IP-based video in live production has been promised for years. We’re now at a tipping point, says Adrian Pennington
BT is taking a huge step forward with the launch of Europe’s first dedicated UHD sport channel, but its aim of delivering it live over IP remains some way off.
Following the lifting of the BBC’s ban on music by the Doors and Neil Young, Kevin Hilton explores how new technologies and disruptive distribution models are reshaping UK licensing
Minicams and special rigs are increasingly shaping broadcasters’ coverage of sporting events and offering factual and drama producers a new set of tools to hook jaded audiences. Michael Burns looks at five examples
Trainees and mentors who took part in a recent career shadowing initiative run by the BBC, RTS and Creative Skillset tell BBCAcademy project manager Suzy Lambert about their experiences
Matt Danilowicz has snapped up seven companies since he became chief executive of Vitec Videocom in 2012. And, as he tells George Bevir, he’s not putting away his cheque book any time soon.
Ensuring our ob-doc series would avoid becoming a puff piece for the UK’s biggest airport demanded buy-in from every corner of this ‘mini city’, writes executive producer Tim Wardle
High-end TV drama tax credits have turned the UK into a haven for big-ticket productions, but have also had some unintended consequences. Kate Bulkley assesses their impact
A complicated five-camera rig was required to shoot Peter Kay’s latest comedy series
TV producers are finding new and innovative ways of sourcing and commissioning music for their shows. Adrian Pennington reports
BBC1’s adaption of Susanna Clarke’s novel takes the viewer on a journey into a fantastical world - but always remains grounded in reality. Benji Wilson finds out how it was done
Innovation in technology is enabling broadcasters to improve the audience’s experience of sports coverage. Adrian Pennington reports on the kit that’s helping on location
As politicians make their final pitches, Adrian Pennington examines broadcasters’ strategies for ensuring their OB teams will be first past the post with the election results
Manufacturers are competing to be the first to offer workable UHD RF camera links, but the technology is still at least a year away from the market.
Shiny-floor formats haven’t been squeezed out by high-end drama and even quiz show productions are demanding larger, higher-spec spaces, writes Adrian Pennington
Ultra HD, cloud-based solutions and unmanned aerial vehicles are set to be the big themes at the NAB trade show in Las Vegas. Michael Burns offers his pick of the technology on display
Pact is warning of a crisis in kids’ TV due to a lack of broadcaster investment. Could live-action tax credits or quotas be the answer?
As the costs come down, production companies are increasingly investing in archive and MAM systems of their own. Adrian Pennington asks the experts about the options
The UK tax incentive for high-end TV drama is giving the industry a massive boost. We look at its impact and assess the prospects for similar schemes elsewhere.
Exceptional talent, crew, studios and locations, combined with tax breaks, make the capital an increasingly big draw for international productions
Home to BBC Scotland, STV, a host of indies and more than 300 facilities, Glasgow is well placed to reap the rewards of investment
Manchester’s production sector took a huge hit in the wake of the global financial crash, but the city is now leading the north-west’s resurgence
Best known as the home of natural history film-making, Bristol is an increasingly popular location for drama
Growing demand for visuals effects in film and TV and the lure of the drama tax break are putting the UK’s VFX talent pool under increasing strain.
Virtual reality TV is edging closer, with producers, manufacturers and broadcasters trialling the technology for music, sport, natural history and even news.
Co-development and keeping it local could be the answer
From the sales of All3Media and Channel 5 to the merger of Shine, Endemol and Core, deals worth a record £3.5bn were completed in 2014.
Strong slates of British drama buoyed distributors in 2014, but non-fiction specialists suffered.