Provide full picture and sound post for the second series of the police drama

Post Windmill Lane Pictures

Client Eleventh Hour Films/Newgrange Pictures

Brief Provide full picture and sound post for the second series of the police drama.

How it was done Director of photography Peter Robertson shot the series using Arri’s Alexa camera.

Colourist Matt Branton used Baselight for the grade, creating a warm and naturalistic feel, and balancing exterior scenes that were shot in varied weather conditions.

Mixers Dean Jones and Mark Henry worked to tight deadlines.

Watch it Wednesdays, 9pm, BBC2

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