All Broadcast magazine analysis articles – Page 8
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FeaturesSimone Pennant: black male execs need nurturing
The TV Collective founder hopes more people of colour land senior roles
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FeaturesWhat to expect in the year ahead
Pat Younge, Anushka Asthana, Alex Pumfrey, Simone Pennant, Jonathan Fisher & James Burstall on the shape of the industry over the next 12 months
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FeaturesWhat (not) to expect in 2022
Boffala Pictures founder Shane Allen takes a satirical gaze into TV’s crystal ball
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FeaturesRoyalty, rows and friends reunited
From Meghan & Harry’s Oprah interview to the unmasking of Line Of Duty’s H, via Korean drama and the potential sale of C4, it has been a busy year
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FeaturesStudios: satisfying the demand for space
Sky Studios Elstree is set to open in 2022 and several other facilities have plans to expand
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FeaturesVirtual Studios: Future of production takes shape
Once the preserve of feature films, virtual production is increasingly being used in sport, drama and entertainment shows
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FeaturesAnglo-French relations in the spotlight
Production and distribution ties couldn’t be stronger as demand for high-end drama drives co-operation
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FeaturesIn conversation: Sarmad Masud and Furquan Akhtar
The director and writer swap notes on the relationship between their roles and the challenges they have faced in their careers
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FeaturesAnalysis: Landmark deal on climate content
Broadcasters & streamers came together at Cop26 and pledged to ensure that issues surrounding climate change are given a higher profile
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FeaturesTackling the talent crunch
Systemic change is needed, but cross-industry collaboration & a wider talent pool can help ease the problem in the medium term
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FeaturesThe power of the sports doc
A panel of leading sports producers discuss the growth of the genre, how it is evolving and what makes a successful film
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FeaturesMipcom: back to business
A quieter market in Cannes doesn’t deter buyers from developing fruitful partnerships and striking content deals
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FeaturesPeriod drama joins the 21st century
The international success of Netflix’s smash hit Bridgerton has been the catalyst for a contemporary refresh of the genre
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FeaturesMipcom comes out fighting
The content market is back in physical form this month – minus some big exhibitors. Event director Lucy Smith makes the case for Mip
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FeaturesIn Conversation: Manda Levin & Lars Blomgren on the state of scripted
Senior drama figures swap notes on the state of scripted production, from securing funding to working in different territories
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FeaturesGrowing up fast: the rise of AvoD
Though still to make a mark in the UK, AVoD platforms have exploded in the US, with those offering a ‘lean-back, linear experience’ the most in demand
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FeaturesSlow progress on industry diversity
A year after a wave of major representation commitments by the UK’s biggest broadcasters, there is still much to do
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Features9/11: One Day In America
‘We knew we had a responsibility to show what happened without sanitising the truth because so many of these deaths were horrendously violent’
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Features9/11: Inside The President’s War Room
‘The film is a unique attempt to capture the emotions, arguments and dilemmas at the top of government when faced with an unprecedented attack’
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FeaturesIn The Shadow of 9/11
‘These men spent years in prison cells thinking about what happened and were able to give considered, thoughtful accounts of a crazy situation’