All articles by Chris Curtis – Page 13
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The Broadcast InterviewBen Frow teases a new direction
C5’s moody magician reveals how it navigated lockdown and hints at plans to freshen up its slate
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CommentDavie wastes no time making statement of intent
Floating idea of 20% cut in hours is sign of radical thinking
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CommentOlusoga sets agenda for an important Edinburgh
MacTaggart lecture lays down gauntlet for industry to make good on diversity pledges
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NewsIndies must take share of blame for diversity failings
Pilkington and Matherson flag production sector shortcomings
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CommentIs working from home working?
Five months into lockdown, replicating the creativity of offices remains a challenge
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CommentOnly action can rebuild the trust lost over diversity
Anger evident from BAME community as broadcasters promise to do more
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CommentInsurance breakthrough paves way for autumn restart
Optimism that prodcution capacity could shortly be back to 70%-80%
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CommentSqueezed indies caught in the middle
Tough choices for production sector as it gets back to work
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NewsEntertainment shows wrestle with production restart
Execs weigh up studio audience ‘family bubbles’ and atmosphere issues
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CommentBanijay faces structural balancing act
Creativity and efficiency are elusive combination for whole production sector
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NewsThe Crown to run to six series after all
Peter Morgan reverses decision to end Netflix drama after five outings
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NewsSky swings back into production
A League Of Their Own leads the way, followed by scripted comedy Breeders
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CommentDisney and Sky: a linear relationship that fizzled out
The breakdown of carriage for linear kids’ channels speaks to new imperatives for both sides
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CommentIngenuity and insurance key as production restarts
Creative thinking is central to helping overcome social distancing obstacles
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NewsC4 kicks off project to reassess old titles
In wake of Black Lives Matter, panel will establish principles to determine whether archive shows remain appropriate
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NewsC4 sheds light on post-Covid priorities
Ian Katz outlines financial constraints and desire to inject more fun into schedule
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