All Comment articles – Page 12
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What could FIFA’s threat of a Women’s World Cup TV blackout spell for broadcasters?
Voiceworks head of sport Jim Salveson on how broadcasters can approach the issue
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Nick Swimer: The Media Bill could lay the foundations for regional indie growth
The opportunities this legislation presents for out-of-London production are in danger of being overlooked
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The rise of France as a VFX hub
Tony White explains why France could soon lay claim to being the next big home for visual effects
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Scott Bryan: Even in the streaming age, there’s plenty of life in live
The industry and the audience would both be worse off if the rise of streaming makes live shows a thing of the past
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Mike Darcey: BBC is betting goodwill holds key to licence fee debate
Viewers struggling with the cost of living may decide not to pay the licence fee despite using a plethora of free services
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Leo Pearlman: The industry overlooks the north east at its peril
The TV sector stands to reap significant benefits if it follows Fulwell 73’s lead and invests in this incredible region
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Christopher Yip: TV must trust people of colour to tell their own stories
The industry needs to embrace the wealth of talent that exists if it wants to make honest, authentic shows
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Chloe Sarosh: Why we need new voices in natural history
Wildstar Films’ executive producer explains why increasing diversity in wildlife films is crucial
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Tweaks to distribution models point to more flexible future
Format deals are back with a bang thanks to the fresh thinking and bold partnership behind The Traitors
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Factual leads the charge in Cannes
“Unscripted programming is the driving force as documentary accounts for half our Hot Picks”
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Competition in the streaming business is growing FAST
Revenues from free-ad supported TV channels are predicted to triple by 2027 and the battle is on to win the biggest share, says Kate Bulkley
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It’s time for an overhaul of TV ratings
Pierre De Lannoy, EMEA Strategy Director at MiQ on how TV ratings need to keep up with changing viewing habits
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Will Hanrahan: look to journalists when setting true crime standards
Established journalistic good practice balances ethical conundrums with exposing wrongdoing – so let’s not reinvent the wheel
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What can Wrexham’s Hollywood takeover teach other sports brands?
Chris Whitson, global head of strategy at creative agency Iris, explains how other rights holders could follow in Wrexham’s footsteps
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Job uncertainty threatens progress made on diversity
Great strides have been made in attracting people from diverse backgrounds – but now we need to keep them, says Lorraine Heggessey
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Julia Lopez: Let’s make sure the UK keeps making brilliant kids’ TV
The DCMS minister explains how the government plans to ensure children can continue to access inspiring, life-enriching British-made content
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Talent crunch poses questions we desperately need to answer
The logjam has finally eased off – so now is the time to get stuck into practical solutions
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Bumps along the road to recovery
‘Given what we have all endured, there is much to celebrate in this year’s survey’
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Making the South West a VFX and creative production hub
Lux Aeterna’s James Pollock outlines the work of the MyWorld project to bring high-end R&D to the region, especially around AI and real-time rendering
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How Five Mile brought fixed rig to The Dog Academy
Executive producer Adam Chapman reveals why Five Mile Films went with fixed rig production