All Comment articles – Page 14
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Celebrating the best of British TV
‘What they share is the alchemy that takes place when clever, creative ideas combine with amazing production and top-tier on-screen talent’
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Kate Bulkley: Broadcasters and streamers play it safe in tough times
Reboots, safe bets and programme extensions are the order of the day as global production spending growth slows
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It’s too soon to mourn the death of the premium doc
The boom may have slowed down, but there is still life in the genre as streamers continue to want the best ideas, says Roy Ackerman
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C4 saga is far from over as industry rings the changes
U-turn on privatisation comes during a period of flux for broadcasters and indies alike, writes Chris Curtis
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Best firms make staff feel valued
‘The top workplaces are offering more tangible support as the cost-of-living crisis unfolds’
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No-one must be left behind in the streaming revolution
The fabric of our industry is at risk if we don’t protect universality, warns Jonathan Thompson, as DUK unveils a rebrand
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TV must put its money where its mouth is on diversity
Reluctance to listen to or pay black creatives reveals the darker side of shallow diversity intiatives, says Gabriella Lafor
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Analysts: Reed Hastings exit marks the end of an era at Netflix
SVoD is adjusting to the post-peak streaming market, according to GlobalData analysts
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Richard Wallis: The voice of the production manager must be heard
The current talent shortage in production management is emblematic of a bigger challenge - and it’s time to find out more
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Why technical support is heading for a perfect storm
Ian Somerville at Jigsaw24 Media explains why dedicated specialist tech support is more essential than ever before
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Keely Winstone: Time for an alternative to factual drama
The Stonehouse doc maker asks whether the way we label retellings of history could actually be the problem
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Suzanne Lavery: true crime must find fresh ways to tell victims’ stories
Audiences love true crime, but they are also becoming more discerning - and the perpetrator obsessed cliches of the past just won’t cut it
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Michelle Donelan: why I won’t sell C4
Exclusive: culture secretary reveals rationale for calling off previous regime’s privatisation plan
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C4 is safe – but now faces in-house dilemma
Broadcaster will now enter a new era, irrespective of avoiding privatisation
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Gearing up for a world without traditional broadcast TV
Pierre de Lannoy at MiQ discusses how the industry can adapt to an internet-only TV environment
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Top 10 comment articles of 2022
Including Ian Katz, Marcus Ryder, Jules Hussey and Steven D Wright
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Mike Darcey: Bob Iger has his work cut out to bring back Disney magic
The problems the former chief executive has been brought back to fix are the result of his own strategic calls
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Is D2C the next frontier for sports streaming?
Johan Bolin, CTO at Agile Content, examines whether D2C is the right option for major rights holders
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Using Dolby Atmos to distribute production music
Garry Judd at Artful Production Music explains why libraries should look to offer Dolby Atmos music mixes
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Scott Bryan: Rebranding channels can create confusion rather than clarity
Updating long-established channel and platform names for the streaming age doesn’t always pay off