All Comment articles – Page 17
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CommentMatt Risley: Ignore the possibilities of YouTube at your peril
Using the video platform requires new language and insightful reading of the data - but will pay dividends
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CommentWhy do some sport docuseries fail?
Tom Inskip, head of sport & fitness at the PHA Group, gives his view on why some series struggle
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CommentSmall indies call for solutions to market turbulence
Victoria Powell outlines a number of measures that producers believe could sustain the sector during the slowdown
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CommentPhilippa Childs: Why is sustainable progress on EDI so painfully slow?
It’s not enough to set targets - the departure of senior EDI figures in the UK suggests we need to commit to making real change
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CommentHenry Birkbeck: The government must follow through on Independent Film Tax Credit
Done properly, the IFTC, in concert with the AVEC and VGEC, has the potential to meaningfully move the dial for film and television
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CommentAndrew Fremlin-Key: What are the potential legal ramifications of Baby Reindeer?
Baby Reindeer was a great show, but is ringing serious alarm bells for lawyers
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CommentAI FOMO: Fear Of Missing Out, or Future Of Massive Opportunity?
Two Circles lead consultant Jamie Dos Anjos considers what has changed as a result of the rapid rise in use of artificial intelligence in sport
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CommentLiz Tucker: Why are there still so few women on comedy panel shows?
Despite efforts to create gender balance, we’re still not there - and it’s not good enough to blame the unwelcoming atmosphere
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CommentBarrington Paul Robinson: We must open the doors to new talent
The Responder creative producer explains how early career support can make all the difference
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CommentThe immersive content coming to football stadiums
Extreme Networks’ CTO of EMEA, Markus Nispel, reveals how he believes AR, VR, and more will be used in stadiums
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CommentThe Basics: The geography of a TV studio gallery
dock10 studio manager David Blake explains how a TV studio gallery is set up
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CommentThe GenAI opportunities & challenges for the streaming industry
Maureen Kerr, partner and head of media & entertainment at UK Arthur D. Little, explains what it could mean for the sector
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CommentWhat is End-to-End and Why Does it Matter?
Bleuenn Le Goffic at Accedo explains why the much used term “end-to-end solution” is rarely a truly accurate description
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CommentAdam Jacobs: Why it might be time for guerilla commissioning
The creative director of Quintus Studios on getting unscripted ideas greenlit in difficult times
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CommentWhy the truth about climate change is a fiendish challenge for broadcasters
The deeply political nature of the issue must be confronted head on, writes Alf Lawrie
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CommentMay The Fourth: How streaming has powered the return of the jedi
Guy Meyers, regional director of customer success at Recurly explains how older franchises such as Star Wars have benefitted from streaming platforms
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CommentWhat filming the NT has taught us about capturing the stage
Vivid Broadcast founder and director Rory Springthorpe explains how they capture the stage for cinema
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CommentHow to produce live sport sustainably
IMG head of engineering, studios, Brian Leonard gives advice on how to approach live production without damaging the environment
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CommentNeil Thompson: GMB’s commitment to live TV is key to success
A decade of being topical and ‘in the moment’ has transformed our breakfast news bulletin into a global brand, says the Good Morning Britain editor
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CommentFatima Salaria: When TV gets representation right, it can be inspirational
Programmes like This Town and Defiance show the power of great storytelling to challenge, provoke and inspire